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當邪惡潛伏時
埃澤奎爾·羅德里格斯,Demián Salomón,路易斯·齊姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro一對兄弟在他們的莊園附近發現了一具殘缺不全的尸體，于是召集當地人一起調查。他們很快了解到，村子里發生的怪事是由一個惡靈引起的，這個靈魂進入了一個當地人的體內，他們等待著通過適當的程序驅逐他體內潰爛的惡魔。主角們不得不與迫在眉睫的危險賽跑，試圖擺脫惡靈無情的魔爪。
昏神
邁克·C·曼寧,格里芬·弗里曼,瑞恩·平克斯頓,奧格斯·羅德,特里薩·納瓦羅A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.
手機有鬼
漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚容·斯皮森伯格,馬克·范·伊文安娜在床上醒來，腦袋因為前一夜的狂歡有些昏沉疼痛。她打開手機，發現新增一款名為“伊麗絲”(IRIS) 的神秘互動APP；它將好姊妹出軌的證據偷拍下來，還將不雅照、私密影片和訊息散布至臉書，監控她的生活，周遭朋友紛紛卷入，陷入恐慌。 安娜用盡一切辦法，欲將伊麗絲移除，卻引來致命殺機。不甘居于劣勢的她，決定正面迎擊…。
鬼屋行竊
露娜瑪雅,Maxime Bouttier,Agus Kuncoro一名退伍軍人得到一份搶劫房子的工作，但結果發現這所房子是 Nyai 的房子，Nyai 是一位小妾，又名 Gundik。
亂馬OVA特別篇無差別格斗對鳳凰
山口勝平,林原惠美,日高范子,高山南,井上喜久子腦子缺根弦兒的九能帶刀（鈴置洋孝 飾）路過邪馬臺古董店，在店內看到了極為珍貴的鳳凰蛋。傳說只要擁有這枚蛋，便可領會到威力無比的魔劍鳳凰劍。為了打敗宿敵亂馬（山口勝平 飾），成為至高無上的強者，九能強買下鳳凰蛋。不過店主（北村弘一 飾）叮囑，無論如何千萬不能將蛋放在頭頂，否則將由可怕的事情發生。不幸的是，亂馬無意中將蛋放在了九能的頭上，一只長相奇怪的鳥兒誕生了。它幫助九能成為足以打敗任何對手的強者。爭強好勝的亂馬無論如何都要挽回面子……本片根據高橋留美子的漫畫《亂馬1/2》改編，系該動畫的劇場版第3部。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster