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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火鳳凰1978
姜大衛 (David Chiang),上官靈鳳 (Lingfeng Shangguan),岳華 (Hua Yueh)敘述日本人潛伏中國武館，化裝紅衣蒙面人，屢次暗殺立志北伐的愛國志士，后來被揭穿的懸疑武打故事。這片子真可以當成偵破片來看，武館的人一個一個被殺，兇手究竟是誰...
秘密會議
拉爾夫·費因斯,斯坦利·圖齊,約翰·利思戈,盧西安·姆瑟馬蒂,賽爾喬·卡斯特利托,伊莎貝拉·羅西里尼,布萊恩·F·奧博恩,卡洛斯·迪赫茲,梅拉布·尼尼澤,托馬斯·洛伊布爾,亞采克·科曼,布魯諾·諾維利,羅尼·克拉默,瓦萊里奧·達·席爾瓦,約瑟夫·邁德爾,文森佐·法伊拉,加里克·哈根,馬達夫·夏爾馬,洛里斯·洛迪,羅伯托·西特蘭紅衣主教勞倫斯（拉爾夫·費因斯 Ralph Fiennes 飾）要負責世界上最秘密、最古老的活動：選擇新的教皇。而他發現自己處在一起陰謀的正中心，可能撼動教會最深的根基。
詛咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
女人的力量
李克純,林達信,趙炎,尹嘎,康保民,鄧小鷗,陳繼東,朱德承,陳汝斌,謝洪遠,詹靖波,白云,劉毅,徐長有,葉琳瑯,唐經偉,趙振華,李丹珠山市化纖廠面臨危機，大量產品積壓，獎金停發三個月，開支全靠貸款。老廠長辭職，副廠長耿昌一籌莫展。省委書記很贊賞29歲的女助理工程師黎莎的治廠想法，便聘任她為廠長。她勇敢地挑起了治理這個爛攤子的重任。生產科長周魯生是個精明強干的小伙子，他常常向黎莎提出一些治廠建議。黎莎很希望得到他的幫助，但請他籌建情報室時，他又不甘受旨，而推托開了。難題接踵而來，職工不遵守新制定的勞動紀律，青年工人羅小光帶頭鬧事，糾纏不休。第一次基層干部會黎莎被海龍粗暴地頂撞一通，耿昌倚老賣老，不與新廠長合作。這一切使黎莎寸步難行，可她并不灰心，而是審慎地發場民主，集思廣益，承擔責任，大膽實施銷售承包、裁汰冗員、開辦服務公司等措施。當主要用戶退貨時，她當機立斷派技術科長韓春光星夜趕赴用戶廠家溝通渠道，推銷了大量積壓產品。廠內又不斷出現矛盾：煙囪污染受到罰款，服務公司沒有經理，處于混亂狀態，還有一些捕風捉影的流言蜚語等，黎莎為解決大小問題日夜奔忙。周魯生被黎莎的獻身精神所感動，終于成了她的一個得力助手。黎莎看清了羅小光雖然調皮搗蛋，卻是一個有才干的青年，便大膽起用他任服務公司經理，從而使羅小光的潛力得到發揮，消極因素變成了積極因素。黎莎面對復雜的社會關系網，堅決地精簡科室人員，阻力與壓力從四面八方而來。職工家屬上門哭鬧，車間主任撂挑子不干，電業局要多收電費，自來水廠停水，使生產告急。在這種情況下，耿昌勸黎莎躲出去，但黎莎頂住這一切壓力，勇往直前。她聘任韓春光為副廠長，并請來律師，加上周魯生的全力活動，使水電及其它問題逐一得到解決。她為改變化纖廠的命運累得精疲力竭，終于克服重重困難，贏得了人們對她的理解信任。自負的周魯生也不得不被這位女人的力量所征服，而向她表示由衷的敬意和愛慕。
美國小說
杰弗里·懷特,翠西·艾利斯·羅斯,約翰·奧提茲,伊薩·雷,斯特林·K·布朗,埃里卡·亞歷山大,萊斯利·格塞斯,亞當·布羅迪,凱斯·大衛,邁拉·盧克利希亞·泰勒,雷蒙德·安東尼·托馬斯,奧基里特·奧諾多瓦,米麗婭姆·肖爾,邁克爾·西里爾·克賴頓,派特里克·費斯克勒,尼爾·勒納,J·C·麥肯澤,詹·哈里斯,貝茨·懷爾德,邁克爾·吉布林失意的小說家兼教授塞隆尼斯·“蒙克”·埃里森（杰弗里·懷特 Jeffrey Wright 飾）出于怨恨，用開玩笑的方式寫了一本小說，書中充斥著古怪刻板印象的黑人形象。不料這本書出版后大受好評，不僅獲得文學大獎，還被拍成電影。