大嫂查之女 牝刑事

? 5.9 播放：96萬 2026-06-14
主演： 宇田川大吾/

刑警在調(diào)查多宗單身女子奸殺案件時(shí)，發(fā)現(xiàn)受害者均遇到同樣的殘暴對(duì)待。其后警方憑著留下的精液將一名“電車男”的疑犯拘捕，而當(dāng)警方深入調(diào)查時(shí)卻發(fā)現(xiàn)兇手可能另有其人，案件錯(cuò)綜復(fù)雜之同時(shí)，真相卻出人意料…

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劇情提要

刑警在調(diào)查多宗單身女子奸殺案件時(shí)，發(fā)現(xiàn)受害者均遇到同樣的殘暴對(duì)待。其后警方憑著留下的精液將一名“電車男”的疑犯拘捕，而當(dāng)警方深入調(diào)查時(shí)卻發(fā)現(xiàn)兇手可能另有其人，案件錯(cuò)綜復(fù)雜之同時(shí)，真相卻出人意料…

幕后花絮

阿提克斯研究所

　　20世紀(jì)50、60年代，亨利·韋斯特博士（威廉·麥鮑瑟 William Mapother 飾）創(chuàng)建了靈學(xué)實(shí)驗(yàn)室阿提克斯研究所，針對(duì)超能力、透視、讀心術(shù)、隔空取物等邊緣學(xué)科展開研究。雖然遭遇了無數(shù)的挫折與嘲笑，但是韋斯特博士仍堅(jiān)持不懈朝著目標(biāo)前進(jìn)。1975年，他的實(shí)驗(yàn)室因某起騙局而被迫關(guān)閉，就在此時(shí)一個(gè)略顯神經(jīng)質(zhì)的女人朱迪思·溫斯黛德（萊亞·吉斯特德 Rya Kihlstedt 飾）被送到實(shí)驗(yàn)室。她之前因傷而擁有了超能力，而其看似貨真價(jià)實(shí)的超能力迅速令見多識(shí)廣的科學(xué)家們大為折服。在這一過程中，朱迪思的能力不斷加強(qiáng)，甚至已經(jīng)到了失控的程度。　　這已遠(yuǎn)遠(yuǎn)超出了超能力的范疇，謎團(tuán)背后惡魔的身影時(shí)隱時(shí)現(xiàn)……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster