圣誕節
諸多國際級大導演所拍攝的情色短片的電影作品集,在這些短片中,導演們用一些幽默的、詩意的手法去呈現人世間的性愛之艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。當然,他們也會用鏡頭拍出不同文化背景下的性的差異,這些短片的風格是性感的、挑逗的、色情的,甚至是粗鄙的、充滿了爭議性的。參與的導演包括肯·羅素(查泰萊夫人)、尼古拉斯·羅伊格(血光鬼影奪命刀)等。CAN I BE YOUR BRATWURST, PLEASE? (Germany) by Rosa von Praunheim.
劇情簡介
諸多國際級大導演所拍攝的情色短片的電影作品集,在這些短片中,導演們用一些幽默的、詩意的手法去呈現人世間的性愛之艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。當然,他們也會用鏡頭拍出不同文化背景下的性的差異,這些短片的風格是性感的、挑逗的、色情的,甚至是粗鄙的、充滿了爭議性的。參與的導演包括肯·羅素(查泰萊夫人)、尼古拉斯·羅伊格(血光鬼影奪命刀)等。CAN I BE YOUR BRATWURST, PLEASE? (Germany) by Rosa von Praunheim.
為你推薦
誓不遺忘
帕斯·貝加,西蒙·貝克,肯·戴維蒂安,科洛·莫瑞茲帕茲和西蒙是一對夫婦,他們與西蒙的女兒生活在一個小鎮上。西蒙是一支女子足球隊的教練。一個偶然的機會,西蒙的女兒在踢球時發現有人正在進行宗教儀式。她走近并拿走了一個器物,然而不久之后,女兒神秘失蹤了。西蒙和帕茲非常擔心女兒的安危,他們四處打聽消息,而西蒙尤為焦急。為了找到女兒,帕茲一方面為她祈禱,一方面尋求靈媒的協助。通過與西蒙的接觸,靈媒得以看到一些景象:一個男人被兩個人殺害,小女孩藏在床底下,倒立的十字架,紅色窗簾覆蓋在尸體上。 西蒙聽到這些描述感到震驚和恐懼,他急不可耐地與久未聯系的母親取得聯系,希望她能幫忙打聽消息。帕茲的表哥在警局工作,他雖然知道FBI已經接手此案,但仍愿意協助打聽消息。于是,西蒙和表哥一起前往人員繁忙的紅燈區。就在他們與負責該區域的警官交談時,一個妓女認出了西蒙,但叫他羅伯特。西蒙堅稱她認錯了人,妓女于是在紙巾上寫下一行字,邀請他私下交談。當晚,西蒙前往約定地點,但發現妓女已被殺。
美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers與丈夫(安東尼·拉帕格利亞飾)慶祝完結婚25周年后不久,丈夫出差在外,達西(瓊·艾倫)在車庫找電池,卻無意中發現丈夫就是新聞中說的“臭名昭著的連環殺手比蒂”。 影片的小說藍本是金2010年出版的短篇小說集《暗夜無星》(Full Dark, No Stars)中的一篇。金在接受采訪時說,小說的靈感來自于2005年被捕的美國“BTK連環殺手”丹尼斯·雷德(Dennis Rader),他就有一位結婚三十四年的妻子寶拉(Paula),對他的殺人行為毫不知情。金表示,小說探討的是,人與人之間永遠不可能完全了解,即使是最愛的人也一樣。
阿嬤的審判
母親去世后,鄭熙和李熙選定了安葬之地,相信這能帶來和平與繁榮。他們最小的弟弟卻因貧困而被忽視,顯得無足輕重。 多年后,他們的命運卻一落千丈,而弟弟卻蒸蒸日上。當墳墓被人翻動時,令人不安的真相浮出水面,揭露了隱藏的背叛和深深的家庭裂痕。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
格斗家·父愛無聲
周惠林,白予晴,周小偉,張聿小說作家阿真和她的拳王父親,從小就有很深的隔閡,在父親離世后,阿真用自己的方式與父親和解,并且在小說世界中完成了文與武的轉換,經歷了善與惡的抉擇,成功蛻變,為父正名,成為了真正的格斗家!
逆轉上半場
梁詠琪,陳湛文,凌文龍,梁雍婷,朱栢康,陳輝虹人生勝利組希文靠自己努力,打敗99.9%香港人,卻因誤信朋友面臨破產邊緣。由深水灣搬到深水埗,勢要在短時間內極速債務重組,一日未認輸一日都未輸!得知天真富二代正籌組足球聯賽,剛好同房表妹閑時會在街場與幾個小嘍啰踢波追夢,有乜比基層追夢更追夢。當然一波會有三折,到底希文與五個小孩又會如何踢出精彩的一局呢?典型格局非典型救贖,久違的溫情港產喜劇,笑聲笑聲滿載溫馨,注入我體內,大小演員個個賣力演出,演活擅打逆境波的港人故事。
喪尸特警
特里特·威廉斯,喬·皮斯科波,琳賽·福斯特,達倫·麥克加文,文森特·普萊斯,克萊爾·科克奈爾,陸錫麒,羅伯特·皮卡多,梅爾·斯圖爾特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里維斯兩位壯漢刑警在調查一起銀行劫案時,發現犯罪分子居然個個刀槍不入。根據線索,他們找到一家公司,似乎最近的很多案件都和這家公司的一個秘密實驗室有關。后來,此兩位硬漢在與犯罪分子的斗爭中不幸相繼殉職,但這恰好給他們創造了機會——兩個人亦成為試驗品,他們的尸體即將被一個懷揣著極大陰謀的邪惡博士所利用……然而,哼哼,英勇的人民公安是不會向犯罪集團低頭的,you can't keep a good cop dead!