我妻子的母親

首都消失

渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽(yáng)子,加藤治子,岸部一德,三木紀(jì)平,夏八木勛,龍雷太,相馬剛?cè)?丹波哲郎,津村鷹志,渡邊文雄,財(cái)津一郎,海老名美どり

　　這部災(zāi)難影片背景以現(xiàn)代日本為中心，主要描寫(xiě)東京突然被一股莫名的濃霧所籠罩，整個(gè)都會(huì)好像一下子消失了似的，各地政府及科研人員因此極為震驚，急忙組織起來(lái)研究對(duì)策。但是人們卻無(wú)法穿越濃霧進(jìn)入東京首都圈。這場(chǎng)濃霧形成了一個(gè)無(wú)法穿越的電磁屏障。而圈外的科學(xué)家們則在受損嚴(yán)重的軍用偵察機(jī)上得到靈感，利用即將到來(lái)的臺(tái)風(fēng)和雷暴雨，加上人工大功率電磁干擾機(jī)，終于化解了這場(chǎng)戲劇般的非自然危機(jī)。　　這原本該是一個(gè)不錯(cuò)的富有戲劇張力的構(gòu)思，但拍出來(lái)的片子卻教人不敢叫好，劇中女記者的角色刻劃不具感染力，而她和男記者之間時(shí)好時(shí)壞的關(guān)系描寫(xiě)也讓人感覺(jué)莫名其妙，確是讓觀眾感覺(jué)象一場(chǎng)霧。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

李冰

胡慶士,毛燕華,游江雄,赫海泉,王敏宜,李媛媛,莊豐源,李連生,荏蓀,浦克,李頡,朱德喜,張奕,金淑元,許志余,惲玉純,陸建藝,張鐘熙,孫英白,胡琪,王曉正,盧廷蘭

 戰(zhàn)國(guó)末期，李冰任蜀郡郡守，李夫人含淚送李冰和兒子二郎去治水。路上有一女子杜鵑為她哥哥王綴喊冤。李冰調(diào)查出王綴并非罪人，在法場(chǎng)救下王綴，并叫他與大家一起治水。華陽(yáng)侯見(jiàn)李冰不吃他的一套，暗中陷害李冰。一次洪水，將李冰、王綴、二郎與杜鵑等人都沖走了，他們?cè)谝黄饎趧?dòng)，二郎和杜鵑在勞動(dòng)中相愛(ài)了。好景不長(zhǎng)，二郎在抗洪中犧牲，李冰被皇帝撤職、王綴以死相報(bào)。李夫人深明大義，以自身做人質(zhì)前往咸陽(yáng)。李冰得知夫人病故，...

開(kāi)棺2025

陳可如,光俊

一對(duì)夫妻在他們的土地里挖掘出一座古墓后，圍繞著一條被詛咒的項(xiàng)鏈和一個(gè)充滿(mǎn)復(fù)仇之心的鬼魂，發(fā)生了一連串恐怖事件……

兩個(gè)心臟

金宣兒,馬東錫,李清娥,鄭仁基,樸孝朱,申正根

　　改編自同名網(wǎng)絡(luò)連載漫畫(huà)，由原作漫畫(huà)作者鄭嚴(yán)植親執(zhí)導(dǎo)筒拍攝。該片講述了被連環(huán)殺人犯奪去家人的女子以自己的臟器作為擔(dān)保展開(kāi)報(bào)復(fù)行動(dòng)的故事。

南海長(zhǎng)城

王心剛,劉曉慶,石韌,李廷秀,霍德集,高大偉,洪劍濤,陳祖榮,趙汝平,王孝忠,張健靈,周楚,張璋,趙守凱

 20世紀(jì)60年代，中華人民共和國(guó)建立已有十多年，新政權(quán)逐步穩(wěn)定，但是竄逃臺(tái)灣的國(guó)民黨時(shí)刻不忘反攻大陸，野心勃勃，接二連三派出特務(wù)間諜潛入大陸大搞破壞活動(dòng)。南海邊疆，愛(ài)國(guó)男女提高警惕，嚴(yán)陣以待。大南港民兵連長(zhǎng)區(qū)英才（王心剛 飾）和甜女（劉曉慶 飾）等民兵在三杯酒附近發(fā)現(xiàn)可疑漁船，他們不顧兇險(xiǎn)，奮勇靠近，嚇跑了該漁船。之后幾經(jīng)周折，他們擒獲了化裝成解放軍戰(zhàn)士的特務(wù)，經(jīng)審訊得知敵方正派出海鯊特遣隊(duì)實(shí)施秘密的登陸計(jì)劃。另一方面，階級(jí)覺(jué)悟不高的靚仔將我方的部署泄露給特務(wù)。在紅色的南海海岸線(xiàn)附近，愛(ài)國(guó)的子弟兵和狡猾的敵人展開(kāi)連番斗智斗勇的對(duì)決……本片根據(jù)同名話(huà)劇改編，是劉曉慶的電影處女作。

精靈寶可夢(mèng)：決戰(zhàn)時(shí)空之塔帝牙盧卡VS帕路奇犽VS達(dá)克萊伊

松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,鈴鹿千春,能登麻美子,井上喜久子,三宅健太,伊東美彌子,西村千奈美,川上倫子,阪口大助,小西克幸,古島清孝,石冢運(yùn)升,佐藤智惠,仁科洋平,傳坂勉,逢坂力,座光寺知幸,佐佐木日菜子,植竹香菜,中塚玲,寺谷美香,西優(yōu)子,三浦博和,相馬幸人,中西英樹(shù),山本耕史,加藤羅莎,秋山龍次,馬場(chǎng)裕之,山本博,中川翔子,石坂浩二,山寺宏一

 持續(xù)在世界各地進(jìn)行修業(yè)之旅的小智（松本梨香 配音）、小剛（うえだゆうじ 配音）和小光（豊口めぐみ 配音），歷經(jīng)長(zhǎng)途跋涉終于來(lái)到了位于山谷丘陵處的目的地阿拉莫斯鎮(zhèn)。小鎮(zhèn)上聳立著象征時(shí)間與空間的時(shí)光之塔，新一輪的神奇寶貝競(jìng)賽將在塔的下方舉行。小智一行走錯(cuò)了路，卻由此結(jié)識(shí)當(dāng)?shù)氐拿利惻惤z（加藤ローサ 配音）。緊張的戰(zhàn)斗與快樂(lè)的游玩，卻未察覺(jué)危險(xiǎn)正悄悄逼進(jìn)。小智遭到噩夢(mèng)精靈達(dá)庫(kù)萊伊的襲擊，雖然達(dá)庫(kù)萊伊被當(dāng)?shù)厮腥擞憛挘撬坪跸雽⒛撤N危險(xiǎn)、恐怖的信息及時(shí)傳給小智一行，關(guān)于時(shí)空之塔的秘密即將揭開(kāi)…… 本片為神奇寶貝系列第十部電影劇場(chǎng)版。