來自天堂的禮物

? 2.8 播放：43萬 2026-07-13

暫無簡介A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are ... (展開全部) 　　A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).

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? 播放 來自天堂的禮物

劇情提要

暫無簡介A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are ... (展開全部) 　　A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).

幕后花絮

我親昵而溫柔的野獸

　　奧爾加（Galina Belyayeva 飾）是守林人的女兒，十九歲的她年輕，美麗熱情，全身上下充滿了活力，然而，在極具欺騙性的外表之下，隱藏著一顆奸詐刻薄又趨炎附勢的內心。烏爾邊寧（Leonid Markov 飾）、卡爾涅耶夫（基里爾·拉夫羅夫 Kirill Lavrov 飾）和卡梅舍夫（奧列格·揚科夫斯基 Oleg Yankovsky 飾）三個男人拜倒在奧爾加的石榴裙下，想要娶她為妻，最終，奧爾加選擇了看起來最有錢的烏爾邊寧，然而，在新婚那天，奧爾加又對卡梅舍夫表達了愛意。結婚之后，奧爾加才知道，烏爾邊寧根本沒有看起來的那樣有錢，受不了貧窮日子的奧爾加轉而成為了卡爾涅耶夫的情婦。

尋找艾米麗

一個單相思的歌手拿到了夢中情人的錯誤電話號碼。他和一個焦頭爛額的心理學學生聯手尋人，卻在全校范圍內引發了混亂和瘋狂。這次經歷，會是對他們決心和抱負的考驗。