以辣椒聞名的海洋世界

只有野獸

　　法國某個(gè)偏遠(yuǎn)小鎮(zhèn)，此時(shí)正是隆冬時(shí)節(jié)，大雪紛飛。惡劣的天氣里，保險(xiǎn)推銷員愛麗絲（勞爾·卡拉米 Laure Calamy 飾）依然不辭辛苦驅(qū)車來到客戶約瑟（達(dá)米安·勃納爾 Damien Bonnard 飾）的山中小屋，只不過驅(qū)動(dòng)她的似乎是對(duì)這段不倫之戀的癡迷與躁動(dòng)。當(dāng)愛麗絲返回時(shí)，路邊一輛無主之車短暫引起了她的注意。誰知時(shí)候從電視得知，車主屬于一個(gè)名叫伊芙琳（瓦萊麗亞·布魯尼·泰德斯基 Valeria Bruni Tedeschi 飾）的女人，而她此時(shí)已下落不明。愛麗絲的丈夫米歇爾（德尼·梅諾謝 Denis Ménochet 飾）沉默寡言，卻早已看穿妻子的偽裝。　　被丈夫戳穿偽裝后，愛麗絲次日連忙跑進(jìn)山里，希望暫時(shí)和約瑟斷了關(guān)系。而在她眼前的是被殺掉的狗，以及出離憤怒的約瑟……

傷心童話

　　影視公司宣傳企劃楊佳（劉詩詩 飾）得了怪病，命懸一線。暗戀她的程序員劉同（胡夏 飾）為使她不留遺憾，決定在她每次昏迷蘇醒之際，以穿越之名為她圓夢。但，劉同的行動(dòng)并不順利，除了突發(fā)情況帶來的穿幫，還有來自情敵尹哲（大左 飾）的奮力阻撓、戳穿。劉同竭盡全力與重重困難斗智斗勇，結(jié)果卻完全出人意料——原來，楊佳并非真病，她是為對(duì)付上司騷擾，佯作患疾。劉同的努力，她完全明了，劉同為她精心設(shè)計(jì)的從民國到未來，跨越200年的美妙夢境，讓楊佳深受感動(dòng)。大家到此方才恍然大悟。可是，又一個(gè)意外橫飛而來……

最后的食譜 麒麟之舌的記憶

　　影片改編自人氣小說，集結(jié)了西島秀俊、宮崎葵、綾野剛、竹野內(nèi)豐等豪華陣容。二宮與西島都飾演了不同時(shí)代，擁有絕對(duì)味覺“麒麟舌”的廚師。電影將于明年秋天在日本上映。

野獸之中

藏獒多吉

 少年田勁的父母早年為了將西醫(yī)帶入藏地做出了無數(shù)的犧牲，由于無法適應(yīng)高原的生活，田勁的媽媽帶著尚在襁褓中的兒子返回內(nèi)地，爸爸拉格巴則在高原繼續(xù)著他的事業(yè)。數(shù)年過后，媽媽病故，無依無靠的田勁來到高原尋找爸爸，然而心中卻藏著無數(shù)的怨恨。拉格巴終日忙碌行醫(yī)，任憑兒子自行學(xué)習(xí)牧羊。某天，田勁遭到狗熊的威脅，幸虧一只金色的藏獒相助，后來更因種種機(jī)緣讓他與這只名叫多吉的藏獒成為最親密的朋友。與此同時(shí)，草原上出現(xiàn)了專門殘害生靈的惡魔，牧民的平靜生活被徹底打破……本片根據(jù)楊志軍的小說《藏獒》改編，由中日兩國聯(lián)合制作，日本著名漫畫家浦澤直樹還擔(dān)任了人設(shè)和導(dǎo)演的工作。

戀愛不可承受之輕

　　英云（金勝宇 飾）是一個(gè)肉店少東，他有一個(gè)相戀多年的未婚妻。他在餐館吃喝玩樂的時(shí)候遇到了一名美麗性感的女孩妍雅（張真英 飾）。已有未婚妻的英云抵不過妍雅的美色，抱著玩玩而已的心態(tài)，兩人開始交往，他們的戀愛在旁人看來是無法理解的。英云與妍雅的感情倍增，原本輕浮的態(tài)度開始改變，他們都發(fā)現(xiàn)這是一場真正的戀愛。　　紙包不住火，兩人的關(guān)系還是讓英云的母親發(fā)現(xiàn)了，他的母親便要求他與原來的未婚妻完婚。英云知道與他人結(jié)婚這件事被妍雅知道后果不堪，他開始躲避妍雅，妍雅也因?yàn)橛⒃频睦涞械缴鷼夥浅！?/p>

那個(gè)人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.