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玄機衛之鎮國神鼎
賀剛,袁福福,李夢穎,劉林城,寇振海,老羊,曉凡,陽蕾發財秘笈
李美鳳,鄭文雅,楊寶玲,黃百鳴,黃秋生熒屏在發光
賈斯蒂斯·史密斯,布里蓋特·倫迪·佩恩,伊恩·福爾曼,海倫娜·霍華德,林齊·喬丹,丹妮爾·戴德懷勒,弗里德·德斯特,康納·歐麥利,瑪達琳·賴利,埃博·本森,艾伯特·伯尼,邁克爾·C·莫羅納,丹尼·塔貝瑞利,蒂莫西·格里芬·艾倫,泰勒·迪恩·弗洛雷斯,伊麗莎白·斯科佩爾,馬林·班迪羅孽欲之殤
Karanvir Sharma,Mannara Chopra,Shraddha Das瘋狂的酒局
王李丹鈮,丁海峰,李國麟,杜玉明,徐光宇,韓三明,張賀,戴天,朱楒憶索命哨
達芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚,Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利同類推薦
貘之歌
四個背景經歷各不相同的年輕人在北京的一個出租屋里喝酒,但因為想法不一,互相有一些矛盾然后打了一架,警察介入,之后結束。
尸油降
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????阿坤(卡文英瑪諾泰 飾)是個孤兒,由村里強大的薩滿萊穆養大。他受雇驅魔,卻偷偷進行黑魔法儀式,想提煉尸油賺錢迎娶心愛的女孩蘇伊,沒想到這觸怒了鬼魂、招致報復。此時蘇伊恰巧來找他,究竟阿坤能否以所學和信仰幫助自己和身邊的人死里逃生?
恐怖買家
勞倫·拉維拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi以下兩位千禧一代將他們不擁有的紐約公寓賣給了不知道自己被騙的新買家。這個騙子干得很出色,直到他們遇到了一個公寓老板,他有一個黑暗的秘密,把這個游戲玩弄在他們身上。
廢世界
故事設定在《廢頭》世界的1042年前,以機器人“羅賓”作為主角。羅賓原本作為護衛,隨同調查隊長特里斯前往地下世界調查異常情況。盡管肩負保護特里斯的使命,但調查隊卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰力差距下,調查隊陷入苦戰。然而,在這場激烈的交鋒中,他們發現了次元的扭曲,并逐步揭開地下世界隱藏的秘密與異變的真相。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster