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杰克·萊恩:幽靈之戰
約翰·卡拉辛斯基,西耶娜·米勒,哈立德·萊斯,Diarmuid de Faoite,邁克爾·凱利,溫德爾·皮爾斯,約翰·約瑟夫·菲爾德,道格拉斯·霍奇,馬克思·比斯雷,貝蒂·加布里埃爾,多米尼克·馬夫海姆,鮑比·霍蘭德·漢頓,比利·克萊門茨,詹姆斯·賴特,亞歷克斯·布羅克多夫,湯姆·約翰遜,珍妮瓦·梅雷迪斯,Ikky Kabir,Rob Guglielmo,Adam Bernett杰克·萊恩因一次國際秘密任務意外揭露了一個致命的陰謀,被迫重返諜報世界。他與中情局的戰友邁克·諾文柏、詹姆斯·格里爾以及干練的軍情六處特工艾瑪·馬洛爭分奪秒,共同對抗一支失控的黑衣行動部隊,這場較量不僅危機四伏,更與他個人息息相關。
正念謀殺第二季
湯姆·希林比約恩·迪梅爾的生活似乎一切盡在掌握:他已將正念的原則內化于心,辭去了壓力巨大的刑事辯護律師工作,并創辦了自己的公司。他花更多時間陪伴女兒艾米莉,與即將離婚的妻子卡塔琳娜爭吵時也更加理性,并且承擔了一項不同尋常的職責:他是兩個黑手黨家族的法律代表,而他已經巧妙地讓這兩個家族的首領銷聲匿跡。然而,盡管生活看似和諧,比約恩卻飽受內心煎熬和失控感的困擾。他為何無法享受這一切? 原因在于“內在小孩”!正如他的正念教練約施卡·布萊特納所解釋的那樣,比約恩童年時期的舊傷與未解的沖突,對他的影響遠比他意識到的更深。比約恩努力治愈這些創傷,與過去和解,同時還要應對煩人的直升機父母、警察調查員、勒索以及生活中層出不窮的各種挑戰。最終,比約恩意識到,他的內心探索不僅帶來了情感上的清晰,也對他那些見不得光的活動產生了現實層面的影響。
毒蜂
富大龍,許亞軍,高梓淇,侯勇,呂良偉,王斑,鄭曉寧,張苡寧,張靜靜,白慶琳,方姝晴,袁帥新型毒品“蜜蜂”在江州毒品市場肆虐,隨著研制者“毒蜂”被緝拿歸案,其配方也面臨消失,毒界變得風聲鶴唳。主人公段成(富大龍 飾)在一次押送途中越獄,并對外宣稱自己是“唯一知道蜜蜂配方”的人,面臨配方重出江湖的巨大誘惑,多方勢力開始對段成展開威逼利誘。經歷追殺、強行被注入毒品等非人折磨后,段成滲入毒巢,以“誘餌”身份一步步接近大毒梟“蜂王”……另一方面,江州警方的“捕蜂人行動”也正式啟動,一場正與邪、善與惡的黑白對決一觸即發……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
孤獨的美食家 2025除夕特別篇
松重豐這是系列節目迎來第9年!2025年的跨年夜直播,將時隔5年再次恢復部分現場直播! 倒計時迫近,今年五郎依舊面臨“黃燈警報”!在跨年活動中要分發的某種食材,今年又落在五郎頭上(嚴格來說是被強行要求)。他將帶著自己那位小小的伙伴,奔走整個東日本。年末已經成為傳統的這場奇妙旅程,今年又會在怎樣的土地上,遇見怎樣至高無上的美食呢?而五郎能否趕上2025年壓軸的大型活動?請拭目以待!
吳二哥請神
曹景陽,鄭衛莉,趙君,舒暢,謝娜偏僻、貧窮但素來清白的望魚村突然出了個小偷,這使村民、尤其是村長吳二哥大為震驚。吳二哥恨自己沒本事,不能帶領村民們富起來,才出了丟人現眼的事。他痛下決心為村里尋找致富門路。 借鑒別村引進港臺投資致富的經驗,他號召村民們挖掘港臺關系。可憐望魚村世世代代竟無一人走出這窮山溝。 吳二哥一籌莫展之際,村婦水水拿來一張揉皺的報紙。一篇題為《腳手架上的時代壯歌——記環球建筑公司總經理王金良》的報道吸引住他的目光,王金良身穿西裝、頭戴安全帽、神采飛揚的照片更使他目瞪口呆。往事浮上眼前:15年前,孤兒王金良與水水偷偷戀愛.被當時的民兵隊長吳二哥綁起來示眾。當晚,王金良逃跑。可憐的姑娘水水日后不得已嫁給了一個跛子,忍氣吞聲度日。沒想到15年后,王金良成了百萬元的大老板。 經過村委會討論決定,吳二哥決心說服水水,去請王金良這尊“財神”。他偷拿了老婆藏在枕頭里的“棺材錢”,背著幾天的干糧,和偷跑出來的水水上路了。 歷盡千辛萬苦,吳二哥和水水找到了王金良寬敞、氣派的辦公室。看到羸弱、憔悴的水水,王金良百感交加。他在酒店設宴款待吳二哥和水水,看著滿桌的菜肴想起貧困的鄉親吳二哥咽不下去,他拿出黑乎乎的包谷粑粑,就著白水吃起來。 回到村里,水水照例又挨了跛子一頓打。吳二哥為討王金良高興,上山給王金良父母修墳摔斷了手。 王金良終于帶人回村考察,發現望魚山上到處都有品質極佳的可作建筑材料的紅色大理石。他在村里成立了“望魚石材公司”,給村里大部分人都安排了工作,包括跛子,唯獨沒有吳二哥。 村長吳二哥顯得更加蒼老了,他蹲在斑駁的石碑下抽著煙,聽著遠處村民們修路的炮聲,笑了。
禁地大戰
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