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老人與貓
阿特·卡尼,艾倫·伯斯汀,勒內(nèi)·恩里克斯玩盡殺絕1998
凱文·貝肯,馬特·狄龍,內(nèi)芙·坎貝爾,泰莉莎·拉塞爾,丹妮絲·理查茲,達(dá)芬妮·魯賓-維佳,羅伯特·瓦格納,比爾·默瑞,卡麗·斯諾格麗絲,杰夫·帕里,科里·彭德格斯特,馬克·麥考利,Toi Svane Stepp,Dennis Neal,Diane Adams看不見的守護(hù)者
瑪爾塔·埃圖拉,埃爾薇拉·明戈斯,Patricia López征服者2
蘭維爾·辛格,阿克夏耶·坎納,桑杰·達(dá)特,阿俊·拉姆鮑,馬達(dá)范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫(kù)拉納,K Anshuman Thakur,Vikash Rai殺木地
金惠奫,李鐘元,金準(zhǔn)韓,張多雅公寓管理員
帕特里克·約翰·弗呂格,方·基默,路易莎·克勞瑟,保羅·本-維克托,尤爾·瓦斯克斯,梅麗莎·博洛納,金·迪萊克特,阿曼達(dá)·沃倫,斯坦·德米多夫,盧克·愛德華茲,艾麗克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奧基里特·奧諾多瓦同類推薦
午夜之子
雅各布(Zak Kilberg 飾)是一個(gè)奇怪的小伙子,他似乎患有一種怪病,這種病令他無(wú)法生活在陽(yáng)光之下,長(zhǎng)久以來,雅各布一直都隱藏在黑暗之中,直到有一天他邂逅了一位名為瑪麗(Maya Parish 飾)的調(diào)酒師,相互吸引的兩人很快就墜入了愛河之中。 漸漸的,瑪麗察覺到了雅各布異于常人的地方,他的行為舉止不僅變得越來越古怪,雅各布還必須時(shí)時(shí)克制自己越來越?jīng)坝康氖妊榱双@得血液,雅各布?xì)⒘巳耍F(xiàn)在,他需要擔(dān)心受怕的事情又多了一件,如何躲避警察的調(diào)查成為了重中之重。可即便如此,雅各布還是深深的愛著瑪麗,為了能夠?qū)旣惲粼谏磉叄鸥鞑疾坏貌蛔龀龈映龈竦呐e動(dòng)。
一代天驕成吉思汗
艾麗婭,涂們,巴森公元12世紀(jì),廣袤遼闊的蒙古大草原,由于群龍無(wú)首,不同部落之間征伐兼并,屠戮仇殺,將原本的寧?kù)o祥和擊得粉碎。是時(shí),蒙古人依然保持著搶親習(xí)俗,他們相信婚姻成就的越快,生下的孩子便越勇猛。在一個(gè)飄雪的寒冷日子里,乞顏部可汗也速該半路上搶走了蔑爾乞部的新娘訶額倫,而他們便成為了日后草原上的雄鷹——鐵木真的父母。部落間的仇殺紛爭(zhēng)沒有窮盡,鐵木真就在血雨腥風(fēng)之中降生人間。曾經(jīng)雄霸一方也速該也無(wú)法避免死于他人之手的厄運(yùn),而他的部落更遭遇了前所未有的滅頂之災(zāi)。忍辱負(fù)重的鐵木真最終奪回乞顏部落可汗之位,并娶到孛爾貼為妻。可是當(dāng)年被也速該羞辱的蔑爾乞人以牙還牙,搶走了孛爾貼。動(dòng)蕩的修羅場(chǎng),一代霸主的傳奇拉開序幕……
芭比之美人魚之力
Joshua Blumhagen,Johnny Yong Bosch,Julia Bose內(nèi)詳暫無(wú)簡(jiǎn)介
九死一生——把一切獻(xiàn)給黨
張光北,師小紅,馬世祥是一部歌頌我國(guó)抗日時(shí)期偉大英雄的電影,講述的是抗戰(zhàn)時(shí)期,我軍彈藥奇缺,吳運(yùn)鐸帶領(lǐng)軍工戰(zhàn)士在敵人的白色恐怖下堅(jiān)持生產(chǎn)。他為此多次負(fù)傷,九死一生,終于試制出急需的槍榴彈、水雷、平射炮......(轉(zhuǎn)載自www.dtdy5.com)
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster