戀人は一花お姉ちゃん 未梨一花

　　影片講述了主人公周云飛因為夢想，踏上了自己的房車之旅，在旅程中他經歷了許多事情，也體會到了很多道理。人生就是一場旅行，你一定要讓你自己的人生，活的精彩，活的有價值。就這樣，周云飛向著他新的人生方向奔赴而去的故事。

　　冒険好きな二人の少年が、宇宙船に閉じ込められ第十惑星に連れ去られ、宇宙人に食べられそうになる。そこにガメラが現れて二人を救う。宇宙人はギロンをけしかけるが、ガメラの敵ではなかった。第3作に登場したギャオスが再登場するが、ギロンにあっさりやられてしまう。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

19世紀墨西哥一位失意的年輕作家弗蘭克爾達，以鬼魂的形態穿行至一個由她親手構想的王國——這里居住著 “幽靈”。她的向導是“幽靈王子”赫內瓦爾，赫內瓦爾帶領她同行，希望借助她身為作家的才華，一同維系“虛構領域”與“現實領域”之間的平衡。