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正念謀殺第二季
湯姆·希林比約恩·迪梅爾的生活似乎一切盡在掌握：他已將正念的原則內(nèi)化于心，辭去了壓力巨大的刑事辯護(hù)律師工作，并創(chuàng)辦了自己的公司。他花更多時間陪伴女兒艾米莉，與即將離婚的妻子卡塔琳娜爭吵時也更加理性，并且承擔(dān)了一項不同尋常的職責(zé)：他是兩個黑手黨家族的法律代表，而他已經(jīng)巧妙地讓這兩個家族的首領(lǐng)銷聲匿跡。然而，盡管生活看似和諧，比約恩卻飽受內(nèi)心煎熬和失控感的困擾。他為何無法享受這一切？ 原因在于“內(nèi)在小孩”！正如他的正念教練約施卡·布萊特納所解釋的那樣，比約恩童年時期的舊傷與未解的沖突，對他的影響遠(yuǎn)比他意識到的更深。比約恩努力治愈這些創(chuàng)傷，與過去和解，同時還要應(yīng)對煩人的直升機(jī)父母、警察調(diào)查員、勒索以及生活中層出不窮的各種挑戰(zhàn)。最終，比約恩意識到，他的內(nèi)心探索不僅帶來了情感上的清晰，也對他那些見不得光的活動產(chǎn)生了現(xiàn)實層面的影響。
梵蒂岡錄像帶
杰曼·翰蘇,凱瑟琳·羅伯特森,邁克爾·佩納,多格雷·斯科特,邁克爾·帕爾,約翰·帕特里克·阿梅多利,丹尼爾·伯哈特,奧利維亞·泰勒·達(dá)德利,彼得·安德森,卡斯·安瓦爾,布魯諾·岡恩,肯特·紹克內(nèi)克,梅爾·法爾,Noemi Gonzalez,泰米娜·森尼安吉拉是27歲的普通女孩，生活平淡無奇。有天，她意外發(fā)現(xiàn)與自己親近的人都死于非命。梵蒂岡教徒得知此事后，對安吉拉展開了一系列調(diào)查。可這次調(diào)查卻引出了安吉拉背后古老的邪惡力量……
爆彈
山田裕貴,伊藤沙莉,染谷將太,渡部篤郎,佐藤二朗一個神秘中年男子醉酒后襲擊了一臺自動售貨機(jī)和便利店店員，被警方拘留。他聲稱自己擁有超能力，并預(yù)測東京將有炸彈。從秋葉原爆炸事件算起，他預(yù)測接下來還會有三次爆炸，間隔一小時。隨后，他一邊回避著警察的詢問，一邊問一些有關(guān)炸彈的神秘“問題”。
瘋狂這一年
吳耀漢,朱咪咪,陳峰,李欣怡,潘小潘,阿晨,大寶,Cassey,彪民,皓敏,李子昭,馨蕊,葉良財,林靜苗本片講述了離家出走多年返鄉(xiāng)的梁歌，發(fā)現(xiàn)患老年癡呆的父親已不認(rèn)識他，母親也被父親趕出了家門，家里還莫名多出一個企圖欺騙父親錢財?shù)呐_子，為了解決家庭危機(jī)，梁歌和鄰居們聯(lián)手上演了一系列瘋狂，幽默的搞笑事件！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
萇山虎
廉晶雅,樸赫權(quán),申隣雅,李俊赫,方柔雪,許真,李律,李在恩熙璉（廉晶雅飾）的兒子俊敘在首爾走失了，傷心欲絕的她帶著失憶的婆婆回到老家萇山休養(yǎng)，希望婆婆能早點想起俊敘是怎么失蹤的。有一天，熙璉在萇山附近的洞穴遇見一個衣衫襤褸的神祕女孩，或許是同情憐憫，或許是空虛寂寞，熙璉將女孩帶回家，打算在找到無名女孩的父母之前照顧她。兩人日漸親近，漸漸地女孩變得好像熙璉的女兒一樣，她喊起熙璉「媽媽」，還叫自己「俊希」，容貌與音聲越來越像消失無蹤的「俊敘」。神秘女孩到來之后，陸陸續(xù)續(xù)發(fā)生難以理解的怪事，熙璉的婆婆先是幻聽，然后還被傳說中棲息在萇山洞穴的妖物擄走……熙璉能夠找回兒子俊敘嗎？破碎的一家能在妖怪陰影之下再度團(tuán)圓嗎？