裸體之夜

評分：0.4 播放：17萬 更新：2026-04-25

性感女郎土屋名美（余貴美子暫無內容飾）長期和具有黑社會背景的酒吧老板行方耕三（根津甚八暫無內容飾）保持曖昧關系。兩人沒有愛情可言，完全是金錢和肉體的交易。在接到男同事的求婚后，名美決定和行方斷絕來往。兩人最后一次相會，結果以名美刺殺行方告終。事發(fā)后，名美電話拜托窮困潦倒的代理公司暫無內容老板村木哲郎（竹中直人暫無內容飾）幫忙收拾旅館中的行李。村木來到旅館，卻發(fā)現(xiàn)了行方的尸體。萬般無奈之下，他只得將尸體打包，四處尋找名美的下落。

影片推薦

同類精選

影視排行

搶錢大作戰(zhàn)

吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特

　　19歲的少年賽斯·戴維斯（吉奧瓦尼·瑞比西 Giovanni Ribisi飾）一心希望能盡快淘到自己的第一桶金，好讓父親另眼相看。他本打算靠玩非法紙牌起家，卻發(fā)現(xiàn)此路根本行不通，直到一家名為J.T.馬林經紀公司的股票經紀商找上了賽維斯。　　在這個號稱“鍋爐房”的核心辦公室里，多少個一夜間成為百萬富翁的故事深深誘惑著賽維斯。很快，野心勃勃的賽維斯便以優(yōu)異的成績通過了股票經濟人認證考試，開始了他的“成功之路”。他把那些永遠都沒有前途的股票賣給利欲熏心的投資者。賽維斯正以極危險的速度追逐著金錢與利益，靠近著他所謂的功成名就，貪婪而不安。在紐約長島這個瞬息萬變的商業(yè)圈里，良心未泯的賽維斯終于開始面對良心的考驗。

湯姆·賽格拉：好為人師

湯姆·賽格拉

　　Tom Segura Fast-Tracking Fifth Original Netflix Special ‘Teacher’ For December Premiere

泥娃娃

楊祐寧,蔡思韻,張軒睿,周采詩,郭雪芙,陳為民,李冠毅,高山峰,黃建群

泥娃娃，泥娃娃，一個泥娃娃?? 　　童謠的背後，隱藏著神秘驚悚的故事。在遊戲公司工作的旭川（楊祐寧 飾），為開發(fā)一項新的恐怖VR遊戲，意外將一尊來自兇宅現(xiàn)場的殘破泥娃娃帶回家，沒想到懷有身孕、身為文物修護師的妻子慕華（蔡思韻 飾）對其產生異常執(zhí)念，不斷進行修復。隨著家中怪事頻傳，慕華狀態(tài)也越來越虛弱，旭川無計可施，輾轉求助通靈驅魔人阿生（張軒睿 飾），而泥娃娃背後深埋的駭人祕密，也隨之浮出水面??

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster