KTV:火熱的女人3

評分:2.3 播放:52萬 更新:2026-04-25
主演: 未知

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捆綁上天堂

倪妮,周游,廖凡

一個筋疲力盡的女人(倪妮 飾)點燃了一個心如槁木的男人(周游 飾),他們隨欲而愛,開始了一段靈與肉、生與死緊緊捆綁的流亡之旅。  三地輾轉,燃燒著,共入地獄。  四季流轉,愛爽了,再上天堂。

為了所有的女孩

埃里卡·韋塞爾斯,Hlubi Mboya,Leshego Molokwane,Nomvelo Makhanya,德翁·洛茨,莫蘇西·麥格諾,Brendon Daniels,J.P. du Plessis,Lizz Meiring,Rafiq Jajbhay,Masasa Mbangeni,本·克魯格,Tamarin du Toit,Marcus Mabusela,Cindy Swanepoel,馬特·斯特恩

 一名探員和一名連環殺手組成了看似不可思議的小分隊,共同對抗全球拐賣兒童和性奴販運網絡。

克萊默夫婦

達斯汀·霍夫曼,梅麗爾·斯特里普,簡·亞歷山大,賈斯汀·亨利,霍華德·達夫,喬治·科,喬貝茲·威廉姆斯,比爾·穆爾,豪蘭·張伯倫,杰克·拉梅奇,杰斯·奧蘇納,尼古拉斯·霍曼,埃朗·帕克,謝爾比·布拉默,卡蘿爾·納德爾,唐納德·甘特里,朱迪絲·考爾德,彼得·洛茲,凱瑟琳·凱勒,丹·蒂拉,彼得拉·金,梅利莎·莫雷爾

 克萊默夫婦像普通的美國夫婦一樣,克萊默先生(達斯汀?霍夫曼 Dustin Hoffman 飾)在外工作掙錢,克萊默夫人(梅麗爾?斯特里普 Meryl Streep 飾)則在家照料照料6歲的兒子比利(賈斯汀?亨利 Justin Henry 飾)。由于克萊默先生忙于工作忽略了家庭,克萊默夫人某天憤然出走,留下了父子兩。克萊默先生現在一方面要忙于工作,一方面又要照顧比利,生活一時陷入麻煩中。克萊默先生不善家務,在照料比利時洋相百出:第一次為比利煎西多士、過程十分恐怖;比利不吃飯要吃雪糕,克萊默先生想阻止卻不懂溝通……幸好在女鄰居的幫助下,克萊默先生逐漸適應了單身父親的生活。父子兩越來越親密,互相依賴。這時,克萊默夫人回來了,她已經是紐約一名出色的設計師了。她回來要拿回比利的撫養權……

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.