在線看
同款熱播
血誓1990
費安啟,王國富,李艷秋,蘇熒,崔永《血誓》改編自香港作家徐速的小說《殺妻記》，由高天紅導演，蘇熒、崔永等主演。中文名血誓外文名Blood oath出品時間1990年出品公司瀟湘電影制片廠制片地區(qū)中國大陸導 演高天紅編 劇陳伯卿，高天紅類 型劇情，戰(zhàn)爭主 演費安啟，李艷秋，王國富，蘇熒，崔永片 長102分鐘硝炯滾滾，戰(zhàn)火紛飛。張自忠將軍所部八20一團團長馬慕援，率部隊殲赴中原前線抗擊日寇。不料，留守后方的眷埔與勤務兵之間發(fā)生了嚴重的“風化”案件，致使軍心渙散。馬團長大發(fā)雷霆：“槍斃，殺一儆百!”軍官們個個毛骨悚然。新任政訓室豐任余崇文不同意對通奸案定死罪，建議調查研究后再做決定。余主任經(jīng)過了解，終于卉清真相，原來暢宜柱在饑寒交迫中被碼Ⅲ長收養(yǎng)當上號兵，作戰(zhàn)失去右臂后又被派去給張?zhí)a月娥當勤務兵；馬月娥為早年馬團長妻子與勤務兵通奸所生，后嫁給張副宵做太太。偵察班長吳仁和兇幾次去打月娥的主意，都被寶柱阻攔，便懷恨在心，并向張副官告密。但張副宵兇被子彈扣‘傷腎部不能行房事而允許月娥另嫁，不愿追究。偏偏此事又被閉長得知，競要拿寶柱與月娥正法，吳仁和后悔莫及。罪犯與…長關系如此密切，使余主任明白了團長為抗日才人義滅親的良苦用心。但他仍認為案件本身不足定為死罪。馬剛長覽余苦任如此書生氣，只好現(xiàn)身說法，指出這些事使弗見們相互殘殺，才會打敗仗。余主任被說服，決定執(zhí)行命令。夕陽西下，寶往和月娥被押往刑場。余主任監(jiān)斬，吳仁和執(zhí)行槍決。事后，他們迅速趕回前線，果然軍心大振，殺得日寇尸橫遍野。為防萬一。閉長命吳仁和押車運送傷員州后方。不久，余主任告假還鄉(xiāng)教書，途經(jīng)一個小店，他進去刖餐。意外地皚到寶柱和月娥。他正在疑惑。又從屋里走出吳仁和。余主任問其究竟，吳仁和才把他當時的內疚與不安以及如何約弟兄們安排假槍斃的實情講出來。突然，號長老趙闖進屋里，帶來團長為國捐軀的噩耗，月娥、寶柱淚流滿面，悲痛不已!眾人為團長默哀致意。[1]2演職員表角色演員備注馬慕援費安啟----馬月娥李艷秋----楊寶柱王國富----余崇文蘇熒----吳仁和崔永----張副官趙成順----秋紅黃桂蘭----青年馬慕援閻冰義----老號長王卞----鄭團副沈保平----小唐曠涓----工兵排長王建偉[2]----職員表? 原著：徐速? 導演：高天紅? 副導演（助理）：張世發(fā)；劉二威? 編?。宏惒?；高天紅? 攝影：徐紅亮? 配樂：吳大明? 剪輯：汪大儒? 道具：吳建輝? 美術設計：楊理? 服裝設計：劉念；梁婷? 燈光：趙立民；范定明? 布景師：粟捷紅；陳尉林[2]制片主任：黃迎春編輯：林美君副攝影：宋國釗；陳靖榮演奏：長影樂團副錄音：王志洪化妝：李瑞；晨虹繪景：懷湘擬音：孫嵐煙火：劉克勤[2]電影圖片 1張
水與茴香
斯特法尼婭·桑德雷莉,西爾維婭·達米科,保羅·羅西,路易莎·德桑蒂斯,保羅·西奧尼,迭戈·法喬蒂,Giancarlo Previati,Vito奧林匹婭年過七旬依然沉湎于作為舞者與歌手的昔日榮光，在人生即將走到盡頭之際，她決定與年輕姑娘瑪利亞開啟一趟回憶之旅。導演科拉多·塞隆的長片處女作，邀請到意大利國寶級女星、威尼斯電影節(jié)終身成就獎得主斯特法尼婭·桑德雷莉出演，她完美演繹了一位外在熱情、內心深邃的魅力女性。影片在調侃與抒情、憂郁與歡樂之間，捕捉到兩個年齡和性格差異巨大的女人最深刻有趣的一面。明亮的南歐風光與經(jīng)典懷舊歌曲串燒重建了曾經(jīng)的文化黃金時代，譜寫出一首獻給生命尊嚴的贊美詩。
門禁2025
梅歌林·艾奇坤沃克,莫·麥克雷,布蘭登·費拉A couple near the end of their marriage begin to encounter supernatural forces that cause them to fight for their lives.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
多莉
法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊桑·蘇普利,西恩·威廉·斯科特,Max the Impaler瑪西，一位年輕女子，被一個面目猙獰的怪物擄走，這個怪物一心要把她當作自己的孩子撫養(yǎng)長大。
在恐懼中
伊恩·德·卡斯泰克,愛麗絲·恩格勒特,艾倫·里奇小青年湯姆（伊恩·德·卡斯泰克 Iain De Caestecker 飾）致電有過一面之緣的女孩露西（愛麗絲·恩格勒特 Alice Englert 飾），邀請對方參加即將在愛爾蘭舉行的音樂節(jié)。湯姆處心積慮規(guī)劃行程，比音樂節(jié)預定提前一天到達目的地。他約女孩去網(wǎng)上預訂的基拉尼旅店留宿。筆直的公路無限延伸至遠方，四周但見無垠曠野，陰冷荒涼，幾乎看不到一個人影。汽車在無聊和枯燥中行駛，天色慢慢暗了下來，而他們卻迷失方向，始終找不到目的地。隨著暮色降臨，恐慌在彼此心底升起，他們在迷宮一般的叢林里失去方向，曾經(jīng)輕浮曖昧的笑容不在?！ ≡谄岷跁缫?，一名滿臉是血的男子突然出現(xiàn)在湯姆和露西面前。原本設想中美好的約會，注定變成萬劫不復的噩夢……