劇情簡介
一個(gè)美麗的妻子，為了養(yǎng)活因裁員而失業(yè)的丈夫，承擔(dān)起招聘高薪兼職工人的工作，這是邪惡老板的陷阱，深入研究這樣一個(gè)已婚婦女的感艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。起初，她說自己要做的就是給顧客按摩，但她卻受了賺更多錢的誘惑，在給顧客按摩的同時(shí)，還不斷地斥責(zé)自己，說自己要保護(hù)婆家。
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死命必達(dá)
馬里奧·毛瑞爾,莎露彩·查金哈,Phuwanet Seechomphu,Marut Chumchonbun納特（馬里奧·毛瑞爾 飾）是個(gè)擁有靈異體質(zhì)的外送員，他的工作因此變得與眾不同，他和兩位外送員好友經(jīng)常接到奇怪的訂單，在深夜將詭異的物品送到毛骨悚然的地方。這種賺錢方式雖然不尋常，但大多數(shù)時(shí)候他和外送伙伴們通常能對(duì)這些恐怖經(jīng)歷一笑置之。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
昏神
邁克·C·曼寧,格里芬·弗里曼,瑞恩·平克斯頓,奧格斯·羅德,特里薩·納瓦羅A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.
靈魂燈籠
Hoang Kim Ngoc,Phu Thinh,Diem Trang《靈魂燈》的故事發(fā)生在封建時(shí)代的一個(gè)北方村莊。Thuong 獨(dú)自撫養(yǎng)兒子，希望丈夫服完兵役后能回來。一天，Linh（Thuong 的兒子）無意中撿到一盞神秘的燈。他開始稱墻上的影子為父親。據(jù)村里的巫師說，這是一盞靈魂燈，可能召喚了尋求報(bào)復(fù)的惡靈。從那一刻起，不尋常的鬼魂事件開始困擾 Thuong 和村民。
犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛(wèi)·T·林,亞當(dāng)·比奇,Ramontay McConnell,Max Mata,Ken Radley富有魅力的牧場主菲爾·伯班克（本尼迪克特·康伯巴奇 飾）讓他周圍的人又敬又怕。當(dāng)他的兄弟將新婚妻子以及她的兒子帶回家時(shí)，菲爾百般折磨他們，直到有一天，他發(fā)現(xiàn)自己對(duì)愛也存有一絲渴望。
猶大與黑彌賽亞
丹尼爾·卡盧亞,勒凱斯·斯坦菲爾德,杰西·普萊蒙,多米尼克·菲什巴克,艾什頓·桑德斯,阿爾吉·史密斯,達(dá)里爾·布里特-吉布森,里爾·萊爾·哈瓦瑞,多米妮克·索恩,馬丁·辛,阿馬里·切托姆,克里斯·戴維斯,伊恩·達(dá)夫,卡勒布·埃伯哈特,羅伯特·朗斯特里特,湯米·拉菲特,特雷勒·希爾,齊納·薩維爾斯,邁克爾·哈瑞蒂,邁克爾·博諾莫,布萊恩·鮑曼,杰梅因·福勒,洛根·弗萊,泰拉·喬伊·史密斯影片改編自真人真事。講述了1960年代美國黑人社團(tuán)黑豹黨歷史上的真實(shí)事件，故事聚焦于Hampton之死，他于1969年被殺，死于芝加哥警察局和FBI組織的一次突襲行動(dòng)。警方開了80槍，而“黑豹黨”成員一共只開了一槍，這一槍還是來自于一位成員被警方打死后的肌肉收縮。Hampton與懷孕的未婚妻正在睡覺時(shí)，頭部被近距離射殺2槍，他當(dāng)晚被下了藥，根本沒聽見任何警方的動(dòng)靜，死后尸體被拖進(jìn)小巷中，年僅21歲。經(jīng)過審訊，他的死被判定為“正當(dāng)殺人”，后來在1982年，以185萬美元的賠償數(shù)額，達(dá)到了民事訴訟的庭外和解。
Y計(jì)劃
韓韶禧,全鐘瑞,金新綠,鄭英珠,金圣喆,李在均,柳始我人生低谷迫使兩位女子偷盜數(shù)百萬黃金——這是他們?nèi)松凶詈笠淮紊镭P(guān)的冒險(xiǎn)。 美善（Mi Seon）和道靜（Do Gyeong）或許早已習(xí)慣在首爾江南區(qū)最危險(xiǎn)的地段掙扎求生，但這并不意味著她們已經(jīng)安于此地。除了彼此之外，兩位好友只能拼命攢錢，想要擺脫危險(xiǎn)的生活方式。然而，就在“退休”指日可待之際，世界卻背叛了她們，粉碎了她們的希望。在絕路邊緣，她們?cè)诮蠀^(qū)發(fā)現(xiàn)了一筆隱藏的財(cái)富，其中包括贓款和黃金——并將所有賭注押在了人生中最后一次豪賭上。