在線觀看
劇情提要
《夫妻成長日記電影版4：愛的永遠》線上看,由橫山一洋導演,森下悠里,三浦力,橫山美雪等演員領銜主演,影片主要講述了承接第三部。阿誠與妻子漸漸感覺失去的興趣，同事約阿誠去滑雪，期待邂逅女性，沒想到阿誠把小野帶上了。阿誠夫婦和同事2個一行四人開始了滑雪之旅，在滑雪場，他們遇到了一個神秘女子······,夫妻成長日記電影版4：愛的永遠"
暗夜精選
的士判官
黃秋生,于榮光,吳孟達,朱茵,黎海珊我不是李連櫻
羅家英,孟嬌霞,嚴豐,卜娜娜,梅年佳,葉梓萱,云歌,顏辰,趙亞楠,馬滌塵,王鵬程,楊熒,夏詩潔,張美娥,喬玉這不是喜劇
Gabriel Nuncio,卡珊德拉·錢蓋羅蒂,阿德里安娜·帕茲,塞西莉亞·蘇亞雷斯,Alejandro Saevich,Eduardo Donjuan大漠紫禁令
周里京,濮存昕,朱宛宜,馬恩然,趙曉明,李巖,姜湘忱,劉法魯,曹燦,李榮昌,方文化,閻鋒,杜澎,惠松旺,邵小明,阿不都熱合曼·艾力,楊麗萍順風魚
黃嘉千,金浩元,陳柱亨,姜皓文,陳幸瑜愛的錦囊妙計
Demet ?zdemir,Sukru Ozyildiz,Atakan ?elik死尸死時四十四
毛舜筠,鄭中基,黃又南,余香凝,楊偉倫,劉江,黃文慧,李尚正,呂爵安,陳漢娜,柳應廷,張滿源,潘恒生,胡麗英,劉映汝,陳詠燊,麥沛東幕后花絮
極限潛水員
赫克托是一名潛水教練,一個偶然的機會,他在一個偏遠的希臘小鎮上發現了極具潛水天賦的年輕姑娘德奈.他說服德奈到自己工作的研究所接受潛水訓練,準備沖擊當時的自由潛水世界紀錄.在和美國著名潛水選手麥琪的比賽中,德奈由于比賽經驗不足,在現場昏厥,被送進醫院治療.赫克托對德奈產生了感情,他不想讓德奈再冒生命危險,勸她放棄沖擊世界紀錄,為此他和上司瓦爾迪斯發生了沖突,一怒之下辭職而去.在瓦爾迪斯的努力下,德奈通過了資格委員會的審查,正式向世界紀錄發起了沖擊.最終,德奈成功地打破了世界紀錄,但是她卻付出了生命的代價,給赫克托留下的是無盡的思念.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.