交換:朋友的妻子2

? 0.1 播放：70萬 2026-07-13
主演： ???/

民浩和正植是摯友關系。后來因為公司倒閉，導致債主來找正植討債。民浩再也看不下去，就叫正植搬到自己家附近。兩對夫妻在喝酒的過程中，民浩的太太素妍坦承自己有不孕癥，無法生小孩，還向正植的太太珠熙提議，若能幫忙生小孩，就會替珠熙夫妻還清債務。在珠熙履行提議的當天，正植看到好友跟太太上床的場面而感到痛苦，因此為了正植，素妍也脫下了衣服……

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? 播放 交換:朋友的妻子2

劇情提要

民浩和正植是摯友關系。后來因為公司倒閉，導致債主來找正植討債。民浩再也看不下去，就叫正植搬到自己家附近。兩對夫妻在喝酒的過程中，民浩的太太素妍坦承自己有不孕癥，無法生小孩，還向正植的太太珠熙提議，若能幫忙生小孩，就會替珠熙夫妻還清債務。在珠熙履行提議的當天，正植看到好友跟太太上床的場面而感到痛苦，因此為了正植，素妍也脫下了衣服……

幕后花絮

致所有我曾愛過的男孩2

　　故事緊接著上一部展開。拉拉（陳東蘭 Lana Condor 飾）和皮特（諾亞·森迪尼奧 Noah Centineo 飾）總算是互相坦白了感情走到了一起，他們兩人都興致勃勃的準備迎接在一起之后的第一個情人節的到來。對于這對初來乍到的小情侶來說，之后兩人所要經歷的一切對他們既是享受也是挑戰，從來沒有過類似經驗的拉拉內心里難免充滿了忐忑。　　基蒂（安娜·卡思卡特 Anna Cathcart 飾）、瑪格特（賈娜爾·帕里希 Janel Parrish 飾）和新結識的伙伴斯托米（霍蘭德·泰勒 Holland Taylor 飾）是拉拉最堅實的后盾，但拉拉有時候又會覺得疑惑，自己是不是過于依賴她們了呢？當約翰（喬丹·費舍 Jordan Fisher 飾）再度出現在拉拉的身邊時，給她和皮特的感情帶來了許多不確定因素。

嗨，媽媽！

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment