嗲囡囡FEILIN-寫真集 VN.043 陳雅漫VICKY

9.2 播放:48萬 更新:2026-06-21
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 根據余華同名小說改編。富少福貴(葛優)嗜賭成性,妻子家珍(鞏俐)屢勸無果后帶著女兒鳳霞離開了他,當夜,福貴輸光所有家產氣死父親,被迫靠變賣母親首飾租間破屋過活。一年后,家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中,福貴痛改前非,開始靠演皮影戲過起安份守己的日子。但好景不常,內戰時期,福貴被國民黨抓去當勞工,一番輾轉終回到家鄉與一家人團圓后,鳳霞因病變成啞巴,而在后來的大躍進運動和文化大革命中,他雖獲某些小福,逆境卻也一直與他如影相隨。

北國江南

魏鶴齡,王琪,秦怡,李保羅,張翼,仲星火,蔣天流,顧也魯,鄧楠,馬驥,鄭敏,李璟,白梅,史淑桂,馮笑,孫永平,于明德

 1950年代,北方某農村。黃土屯土地貧瘠十年九旱,農業社成立后,吳大成(王琪 飾)任社主任兼支書,他決心帶領鄉親們打井抗旱,改變家鄉面貌。村里壞人錢三泰(李保羅 飾)趁機搞破壞,使大成的努力前功盡棄,加之養子小旺(孫水平 飾)的突然出走,使本來眼睛不好的妻子銀花(秦怡 飾)雙目失明。深明大義的銀花為了不拖累大成的工作,強忍失明痛苦,不斷為丈夫出主意想辦法。大成深感自己在工作中的急躁情緒影響了大伙,他努力克服著缺點,并及時向上級組織匯報情況以討得解決問題的方法。通過發動群眾,他們終于揪出了暗藏的階級敵人,受蒙蔽出走的小旺也回到了黃土屯......

X誰嫁誰噶了誰

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等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

被時間遺忘的人

帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯

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宇宙之門

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