大膽的侄女

新郎高庭生（劉冠廷 飾）與新娘吳黛玲（余香凝 飾）在一生一次的大喜之日，面對多年來打死不相往來的男方父親高盛宏（庹宗華 飾）與母親白雁心（楊貴媚 飾）爭相主持兒子的終生大事，不愿得罪父母的高庭生只好聯合岳父老吳（田啟文 飾）、婚顧小芮（湯毓綺 飾）、伴郎大蔡（蔡凡熙 飾），試圖瞞天過海在一天內完美舉辦兩場婚禮。

　　年過七十的高橋龍三（藤龍也 飾）曾是名噪一時的黑幫頭目，而今他風光不再，委身寄居在兒子龍平（勝村政信 飾）的家中，還得忍受孩子們各種指摘與批評。許是對曾經熱血歲月的回憶，讓龍三相繼和當年的哥們兒阿勝（近藤正臣 飾）、暴恐茂吉（中尾彬 飾）、快槍手馬克（品川徹 飾）、拐杖市三（樋浦勉 飾）、五寸釘阿秀（伊藤幸純 飾）和剃刀阿鷹（吉澤健 飾）等人碰頭，老爺爺們把酒言歡，一拍大腿決定干脆再成立個黑幫組織——一龍會。與此同時，以西（安田顯 飾）為首的新時代犯罪團伙京濱聯合正展開不擇手段的斂財行動，而一向看不慣他們的惡行的龍三一伙自然要與之發生沖突?！　±吓傻暮趲头肿优錾闲律姆缸飯F伙，卻又是一場義理與金錢的較量……

　　《尸骨袋》改編自斯蒂芬·金（Stephen King）的同名恐怖小說?！　充N小說作家Mike Noonan（皮爾斯·布魯斯南 Pierce Brosnan 飾），在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后，無法走出悲痛的深淵。他不斷地夢到和Jo一 起購買的緬因州湖畔別墅，夢到裝在袋子里的腐爛尸骨，夢見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里，他卷入了一樁年輕美貌寡婦與家財萬貫的祖父對小女孩的撫養權爭奪戰，并不時遭遇神秘鬼魂的騷擾。那些不斷升級的噩夢，還有神秘鬼魂的騷擾，都讓他意識到，這個小鎮隱藏著一些秘密，而死去的Jo也有事情想要告訴他……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.