劇情簡介
每天在奶牛農場中認真工作的長洞。有一天,長洞的奶牛農場,有魅力的女人”是幫助干活。這是吉洞被奪走,即使這樣,并不討厭長洞。寄宿民家和奶牛農場忙碌地工作著的突然向“男人的咨詢,來到了。該男子在主”的主人公——工作的地方隱秘的提議,向正泰…。
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靶場
凱莉·康奈爾,史蒂芬妮·皮爾森,羅德·埃爾南德斯,安東尼·科洛,阿萊克薩·伊姆斯,杰森·托比亞斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence莎拉（艾麗莎·易默思 Alexa Yeames 飾）、托德（羅德·赫爾南德茲 Rod Hernandez 飾）、杰夫（杰森·托比亞斯 Jason Tobias 飾）、艾瑞克（安東尼·科洛 Anthony Kirlew 飾）、凱倫（斯蒂芬妮·皮爾森 Stephanie Pearson）、朱迪（凱莉·科耐爾 Kelly Connaire 飾）等六名大學生利用假期驅車游玩，途中他們的汽車爆胎。不巧的是他們拋錨的地點信號太差，四周前不著村后不著店，她們只能自己動手修理汽車。身處荒郊野外，年輕人們只能耐心等待旅途的再度開啟。誰知就在這時候，其中兩人被不知來自何方的子彈射中，相繼慘死在烈日之下。恐慌迅速彌漫，而無情的子彈則接二連三射向他們?！ 〔恢螘r，他們已經闖入無情殺手的狩獵場，成為逃生希望渺茫的獵物……
地震之后電影版
岡田將生,鳴海唯,渡邊大知,佐藤浩市,橋本愛,唐田英里佳,吹越滿,黑崎煌代,堤真一,黑川想矢,井川遙,澀川清彥,津田寬治,錦戶亮,能年玲奈本作由井上剛擔任導演，與NHK四月播出的劇集《地震之后》共享故事框架，同時新增場景重新剪輯而成。該片基于村上春樹短篇小說集《神的孩子全跳舞》中四則短篇，講述關于喪失與重生的故事。描繪1995年阪神淡路大地震后，四個在不同時代與地域背負孤獨生存之人的命運交織，最終與當下產生聯結的歷程。
穿越者之異夢空間
馬文強,寧丹琳,果靜林是一個融合現代科技、維度穿越、動作、喜劇、燒腦等流行元素的美劇式故事。宇宙萬物，存在于不同的時間與空間中，稱之為“時空”，各個時空彼此平行，永不交錯，除非，在兩個平行空間中，出現了兩個完全吻合的斷點...夢是什么?如果夢是時空中的平行線，那現實又是什么? 影片將于2016年2月26日在愛奇藝獨家播映！
星光繼承者/僵尸高校生：繁星匯聚演唱會
瑪利亞·貝克,瑪拉基·巴頓,凱莉·坎特羅爾,喬舒亞·科利,梅格·唐納利《殭屍高校生》與《星光繼承者》的世界在此交會，帶來一場盛況空前的演唱會！兩部作品的卡司將首度合體登臺演出。由瑪莉亞·貝克、馬拉奇·巴頓、凱莉·坎特拉爾、約書亞·科利、梅科南·奈夫、達拉·蕾妮、芙蕾雅·史凱領銜，更有瑞塔·歐拉、麥洛·曼海姆、梅格·唐納利、利亞曼尼·塞古拉等特別嘉賓驚喜現身。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
天啟四騎士
丹尼斯·奎德,章子怡,盧·泰勒·普奇,小克利夫頓·克林斯蘭斯林（丹尼斯·奎德 Dennis Quaid 飾）警官同時也是一個單身父親，因公務繁忙，他無暇照顧兩個兒子，大兒子亞歷克斯無形中時常扮演父親的角色。最近蘭斯林被一樁連續殺人案纏住，每個兇案現場都發現了至少四名嫌疑人的蹤跡，并且統一留下了“過來看”的血色留言，死者死于懸掛的狀態充滿了宗教意味，蘭斯林從人體懸掛的鐵架入手，發現這一干罪犯以殺人作為宗教儀式，并且以啟示錄中記載的“天啟四騎士”自居。第一個受害者的華裔養女克里斯汀（章子怡 飾）主動找到蘭斯林，坦承了自己與連續殺人案的關系，但是這不能阻止更多人受害，蘭斯林驚見自己最不愿意看到的事情發生了……