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夢想的力量2026
魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子木乃伊2026
杰克·萊諾,萊婭·科斯塔,梅·卡拉美維,娜塔莉·格蕾斯,維羅尼卡·法爾孔,艾米麗·米切爾,哈亞特·卡米勒,比利·羅伊,希洛·莫利納,梅·埃爾格蒂,迪恩·艾倫·威廉姆斯女士優先
薩莎·拜倫·科恩,裴淳華,湯姆·戴維斯,艾米莉·莫迪默,韋魯切·歐皮亞,查爾斯·丹斯,費奧納·肖,理查德·E·格蘭特,雷德·滕南特,凱瑟琳·亨特,卡迪夫·克爾萬,比爾·帕特森,保羅·查希迪,喬丹·梅特卡夫,丹尼·艾肖克,達妮·莫斯里,梅狄·萊斯,羅恩·庫克,黛博拉·芬德萊,瑪雅·西蒙森,愛麗絲·布里塔因,埃米·格萊德希爾,湯姆·斯托頓塵兔
大衛·達斯馬齊連,麥斯·米科爾森,西格妮·韋弗,瑞貝卡·亨德森,希拉·阿蒂姆,索菲·斯隆,Wael Alroyly,Sute Zhao假日旅館
平·克勞斯貝,弗雷德·阿斯泰爾,瑪喬麗·雷諾茲,弗吉尼亞·戴爾,沃爾特·艾貝爾,路易絲·比弗斯,歐文·培根同類推薦
毀滅者2
Terry Kiser,Cody Renee Cameron,Eva Hamilton1984年經典恐怖片的續集。
離婚喜劇
陶慧敏,呂涼,王蕙業務員吳飛心地善良,他救起了昏倒在路邊的農村少女林小妹,并將她帶回了家里。原來小妹與永生相愛,可是父母硬逼她嫁給有錢的老頭,她和永生逃了出來,卻在火車站走散了。吳飛的妻子趙紅打了一夜麻將回到家中,發現小妹不禁妒火中燒,趙紅一股腦發泄著自己對吳的不滿,準備離婚。不久,得到 消息的永生來接小妹,小妹看到永生有兩萬元錢,以為是永生偷了吳飛的,連忙還了回去,才知道是吳飛借給永生的。小妹與永生在大壩上準備結束此生,吳飛夫婦趕到,吳的一番肺腑之言打消了小妹輕聲的念頭,也使消除了趙紅對他的怨恨。
豹子灣戰斗
李成彬,劉桂芬,楊秀章,石寶善,雷平,陳瑞龍,劉蘊華,魏堅,王燕,任士,曹存達,吳春光,李森芝,胡勇,張建平,吳斗爭,趙成芳1940年,國民黨反動派調集重兵對我 陜甘寧邊區 實行軍事進攻。在前線與日寇浴血奮戰的我八路軍某部,奉命回師保衛陜北根據地。常勝英雄連紅一連戰士被分配參加 大生產運動 。為此,連長丁勇和戰士們求戰心切,產生思想波動。上級派楊虹到紅一連任指導員,戰士們見是個女同志便議論紛紛。接著,上級又把婦女隊編入該連開進豹子灣屯墾。部隊在豹子灣安下營地,大家對開荒的缺乏認識,結果,紅一連第一天的開荒成績名列全團最后,這對丁勇震動很大。指導員楊虹耐心幫助丁勇,指出敵人企圖以軍事包圍、經濟封鎖來困死餓死我們,我們就要響應毛主席的號召,自力更生,艱苦奮斗,粉碎敵人的陰謀。楊虹的一番話,引起丁勇的深思。丁勇思想有了轉變。他和指導員一起帶領全連戰士掀起轟轟烈烈的開荒熱潮。短短二十幾天,他們就超額完成了上級交給的開荒任務,被評為全團第一。團長從前方回來,連長丁勇向團長請求新的戰斗任務,沒想到團部正在考慮分配紡線任務。指導員楊虹主動請求紡線,她認為,眼下部隊換不了季,要粉碎敵人的經濟封鎖,紡線就是革命。丁勇認為這是女同志干的活兒,不適合紅一連打硬仗的特點。他一怒之下跑到團部,卻意外地看到團長正盤著受傷的腿,全神貫注地學習紡線,丁勇深受感動。他毅然找到指導員一起到團部請求紡線任務。協團長把毛主席穿著補丁衣服的照片和周恩來副主席親自紡的棉線拿給他們看。毛主席、周副主席、朱總司令的光輝典范,激發了丁勇和全連指戰員的激情。他們以更大的熱情,投入到 大生產運動 中,取得了豐衣足食的輝煌成果。4年后,隨著形勢的發展,紅一連響應毛主席的號召,開赴前線。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
少年犯
朱曼芳,陸斌,楊濤,沈光煒,蔣健,王劫,陳偉忠,鄔旭峰,胡曉寶,趙汝平,狄蓓莉,胡大剛,洪融,奇夢石,杜炯,邵逸云,劉新,呂薇,吳媚媚,顧威方剛(陸斌 飾)、蕭佛(蔣健 飾)和沈金明(王劫 飾)是少管所里新來的三位少年犯,方剛持刀傷人,本性不改,蕭佛小偷小摸,惹是生非,只有沈金明是一心一意在此改過自新的。一場意外中,方剛謊稱自己吞了剪刀,企圖找機會逃跑,然而,當他看到馮隊長是如何為了救他而費勁了心機后,方剛被感化了。女記者謝潔心(朱曼芳 飾)察覺到了表面上吊兒郎當的蕭佛內心里其實是個非常講義氣的好孩子,她采訪了蕭佛,挖掘了深藏在他背后的痛苦往事。謝潔心將這些寫進了自己的新聞稿中,希望能夠向社會發出提醒,她還找來了蕭佛的父親,希望他們父子能夠破鏡重圓。