狩獵之夜

9.4 播放:68萬 更新:2026-04-25

On暫無內容a暫無內容cold暫無內容dark暫無內容night暫無內容a暫無內容mysterious暫無內容blonde暫無內容girl暫無內容is暫無內容seen暫無內容running暫無內容around暫無內容in暫無內容the暫無內容woods.暫無內容It's暫無內容Elisabeth暫無內容(Brigitte暫無內容Lahaie),暫無內容who暫無內容has暫無內容escaped暫無內容from暫無內容a暫無內容high-rise暫無內容prison,暫無內容where暫無內容people暫無內容are暫無內容kept暫無內容who暫無內容have暫無內容been暫無內容contaminated暫無內容by暫無內容an暫無內容environmental暫無內容accident.暫無內容Their暫無內容thoughts,暫無內容memories暫無內容and暫無內容emotions暫無內容are暫無內容slowly暫無內容eaten暫無內容away暫無內容by暫無內容disease,暫無內容turning暫無內容them暫無內容into暫無內容sad,暫無內容helpless暫無內容creatures.暫無內容A暫無內容young暫無內容man暫無內容(Vincent暫無內容Carder)...

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On暫無內容a暫無內容cold暫無內容dark暫無內容night暫無內容a暫無內容mysterious暫無內容blonde暫無內容girl暫無內容is暫無內容seen暫無內容running暫無內容around暫無內容in暫無內容the暫無內容woods.暫無內容It's暫無內容Elisabeth暫無內容(Brigitte暫無內容Lahaie),暫無內容who暫無內容has暫無內容escaped暫無內容from暫無內容a暫無內容high-rise暫無內容prison,暫無內容where暫無內容people暫無內容are暫無內容kept暫無內容who暫無內容have暫無內容been暫無內容contaminated暫無內容by暫無內容an暫無內容environmental暫無內容accident.暫無內容Their暫無內容thoughts,暫無內容memories暫無內容and暫無內容emotions暫無內容are暫無內容slowly暫無內容eaten暫無內容away暫無內容by暫無內容disease,暫無內容turning暫無內容them暫無內容into暫無內容sad,暫無內容helpless暫無內容creatures.暫無內容A暫無內容young暫無內容man暫無內容(Vincent暫無內容Carder)...

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

巨獸格果

比爾·特拉弗斯,威廉姆·西爾維斯特,文森特·溫特,Christopher Rhodes,約瑟夫·奧康納,布魯斯·西頓,馬丁·本森,莫里斯·考夫曼,瓦西里·迪格納穆

  50年代,美國拍了《原子怪獸》,日本拍了《哥斯拉》,50年代末期英國又趁熱打鐵拍了《海底巨獸》。1961年又和米高梅合拍了《巨獸格果》?!  毒瞢F格果》不像其他怪獸電影那樣,怪獸開頭都是神龍見首不見尾,最后城市大戰時露個全身。本片中怪獸破壞的鏡頭完完全全的展現在觀眾面前,拆了倫敦塔橋,還推到了大本鐘。最后全憑兩雙大腳一路踩爆房屋,磚瓦四濺,相當過癮。本片講述了人類抓到了一只可愛的小怪獸——格果,然后把它關進馬戲團里,哪知道后來把怪獸老娘惹來了…

觸碰我

帕姬·布魯斯特,奧利維亞·泰勒·達德利,盧·泰勒·普奇

一對互相捆綁的摯友,在生活崩塌之際,遇見了自稱能治愈一切創傷的神秘男子布萊恩。他的觸碰如毒品般令人上癮,瞬間撫平焦慮與抑郁,卻在溫柔面具下藏著外星掠食者的獠牙。當兩人受邀前往他的偏遠莊園,這場“療愈之旅”徹底失控:觸手、血案、精神操控,一場以愛為名的寄生,正在吞噬他們的靈魂與世界。

狼人2025

克里斯托弗·阿波特,朱莉婭·加納,瑪蒂爾達·弗思,山姆·賈格,本·普倫德加斯特,扎克·錢德勒,本尼迪克·哈迪,米洛·考索恩,雷·沃納爾,羅伯·馬克布萊德

  布雷克(克里斯托弗·阿波特 Christopher Abbott 飾)是一名住在舊金山的丈夫和父親。當他自己的父親失蹤并被判定死亡之后,他繼承了他位于俄勒岡州鄉下偏遠地區的童年老家。當他和他事業有成的女強人妻子夏莉特(朱莉婭·加納 Julia Garner 飾)的婚姻逐漸走向破裂,布雷克就說服夏莉特帶著他們年幼的女兒金潔(瑪蒂爾達·弗 思 Matilda Firth 飾)一起離開城市,前往他的童年老家度假?! 〉钱斶@一家人在深夜來到這座農舍時,他們突然遭到一只看不見的怪獸攻擊,為了逃離危險,他們就躲進農舍里面,并且將所有入口封住,而那只怪獸則在外面徘徊。當他們驚懼地試圖度過漫漫長夜時,布雷克卻開始出現奇怪的舉動,而且逐漸變成一種不知名的怪物,于是夏莉特就被迫必須決定:到底是屋內的恐怖更致命,還是外面的危險更可怕?

比佛利拜金狗3

奧黛塔·安納布爾,艾米麗·奧斯蒙特,弗蘭西絲·費舍

  繼2008年院線電影【比佛利拜金狗】(Beverly Hills Chihuahua),以及2011年直接發行影音產品的續集【比佛利拜金狗2】(Beverly Hills Chihuahua 2)之後,迪士尼於2012年的秋季再度推出此系列第三部作品【比佛利拜金狗3】(Beverly Hills Chihuahua 3: Viva La Fiesta!),本片跟第二集同樣是以直接發行影音產品的方式在美國首度推出。  在【比佛利拜金狗3】的故事中,比佛利的吉娃娃家庭又有新冒險了!Papi 和 Chloe 以及他們的五隻小狗狗,跟隨他們的主人 Rachel 和 Sam ,搬進了一家大飯店,這裡不但豪華氣派,居然還有專門給狗狗們使用的SPA,真是一個最完美的渡假天堂,天天都像是在開嘉年華會一樣!不過,吉娃娃家庭裡最小的成員 Rosa 卻心事重重,原來她覺得自己身體如此瘦小,一點也不起眼,似乎是家裡面最不重要的成員。如今狗爸爸 Papi 知道了小 Rosa 的心事,他要如何幫助 Rosa 建立自信,並發現自己的優點、發揮自己的潛力呢?  本片由 Sara E. White 製片,由 Lev L. Spiro 擔任執導,劇本則是由 Dana Starfield 所負責。配音和演出的演員則是第二集同樣的原班人馬,例如配音的包括有 George Lopez 、Odette Yustman …等等;而真人演出的演員則包括有 Erin Cahill 、Marcus Coloma …等等。至於在新加入的角色部分,參與演出的則包括有 Frances Fisher 、Sebastian Roché 、J.P. Manoux …等等。