被強(qiáng)暴的新任女教師「變態(tài)學(xué)生的性小便強(qiáng)暴」被羞辱的神父。 艾米莉·優(yōu)希娜 夕雛エミリ S級(jí)素人
被強(qiáng)暴的新任女教師「變態(tài)學(xué)生的性小便強(qiáng)暴」被羞辱的神艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。 艾米莉·優(yōu)希娜 夕雛エミリ S級(jí)素人
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養(yǎng)鬼吃人6：死亡代碼
迪恩·文特斯,Ashley Laurence,Doug Bradley在"猛鬼追魂"系列的第5集中， 手拿魔方，以"制造悲傷"著稱， 有魔力的Pinhead(道格·布拉德利)已經(jīng)返回，準(zhǔn)備再次用他的大批的Cenobites給地球上的人們帶來(lái)地獄般的惡夢(mèng)、折磨和死亡。 但是Kirsty科頓·(阿什利·勞倫斯)， 唯一已經(jīng)戰(zhàn)勝二次Pinhead的人，回來(lái)，準(zhǔn)備再一次跟Pinhead 和Cenobites作戰(zhàn)。
兇間疑影
Teerapong Liaorakwong,Sinjai Plengpanich,Pongpit Preechaborisutkhun,Kanya Rattapetch,Chatsoroth Thanuthipayakul風(fēng)韻猶存的妮妲是一個(gè)單身媽媽，數(shù)年前她和老公的感情破裂，長(zhǎng)久以來(lái)只同兒子阿頓生活在一起。妮妲靠在夜市賣電影光盤為生，巨大的壓力令她皈依一個(gè)名為“Who R U”的宗教社團(tuán)。5年前，阿頓與母親發(fā)生爭(zhēng)執(zhí)，隨即將自己反鎖房中，從此再未踏向外部世界。妮妲與阿頓德交流便是通過(guò)門縫下傳遞紙條來(lái)實(shí)現(xiàn)，憑借宗教賜予她的力量，妮妲似乎漸漸習(xí)慣這種不正常的生活。 某電視臺(tái)恐怖節(jié)目編輯阿東是妮妲的常客，他得知阿頓的事情，告知妮妲這是一種被稱為“隱蔽青年”的自閉癥狀。阿東決定幫助阿頓走出房門，回到社會(huì)。他極其熱心地操辦此事，結(jié)果卻令他追悔莫及。而在這一過(guò)程中，妮妲內(nèi)心塵封已久的記憶也被漸漸喚醒……
銀瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·維斯特伍德,James CavloA small town is haunted by the twin daughters of a wrongfully convicted man. Young Jordan is sent down the path to who the real killer is only to find the killer is very close to her.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
山村新人
苗壯,陳國(guó)軍,劉衍利,張金玲,曲云,郭振清,浦克,李莉,許志余,李瑛,傅惠元【演員表】苗壯....許大成陳國(guó)軍....大江子劉衍利....劉師農(nóng)傅惠元....王德山李莉....徐小燕許志余....張振和李瑛....陳桂琴?gòu)埥鹆?...方華曲云....張二嬸郭振清....郭永康浦克....周爺爺攝影：舒笑言 陳長(zhǎng)安美術(shù)設(shè)計(jì)：孫世祥根據(jù)吉林省同名話劇改編。熱血青年方華是在靠山屯插隊(duì)的知青，在“農(nóng)業(yè)學(xué)大寨”的運(yùn)動(dòng)中，她也絕不落后，她給電站站長(zhǎng)寫了一張小字報(bào)。生產(chǎn)隊(duì)長(zhǎng)怕“捅婁子”，竭力勸阻方華不要把小評(píng)論貼出去，受站長(zhǎng)影響的知識(shí)青年劉師農(nóng)也不敢對(duì)站長(zhǎng)進(jìn)行斗爭(zhēng)。站長(zhǎng)企圖用假檢討迷惑群眾。方華當(dāng)面對(duì)站長(zhǎng)用不正當(dāng)手段搞來(lái)發(fā)電機(jī)的行為進(jìn)行了徹底的揭發(fā)。公社趙主任為保站長(zhǎng)，強(qiáng)行撤了方華的政治隊(duì)長(zhǎng)職務(wù)，方華沒(méi)有屈服。戶長(zhǎng)帶領(lǐng)社員對(duì)趙主任的錯(cuò)誤路線進(jìn)行了抵制，同時(shí)還通過(guò)劉師農(nóng)的轉(zhuǎn)變，教育了生產(chǎn)隊(duì)長(zhǎng)。站長(zhǎng)不甘心失敗，企圖毒死知道他歷史問(wèn)題的一個(gè)地主子女，達(dá)到殺人滅口、嫁禍于人的目的。方華查清了站長(zhǎng)的問(wèn)題，粉碎了他的陰謀，水電站也建成了。
不被愛(ài)也沒(méi)關(guān)系
南沙良,馬場(chǎng)富美加,本田望結(jié),基俊介,河井青葉,伊島空,池津祥子本片是一部以大學(xué)生宮田陽(yáng)彩（南沙良 飾）為主角的“青春逃亡故事”。陽(yáng)彩一邊上學(xué)，一邊從早到晚忙于打工和家務(wù)。雖然母親并未對(duì)她施加暴力，但她一直被母親口中的“愛(ài)”束縛著，在這種溫柔卻令人窒息的絕望和對(duì)人生的失落感中度日。她定期給母親送錢，照顧她，卻始終感受不到真正的自由和幸福。某天，陽(yáng)彩在打工的地方邂逅了同班同學(xué)江永雅（馬場(chǎng)富美加 飾）。這次相遇，悄然改變了陽(yáng)彩的人生軌跡。