即刻觀影
劇情賞析
編輯推薦
荷蘭人
安德烈·霍蘭,凱特·瑪拉,斯蒂芬·亨德森,莎姬·貝茲,阿爾迪斯·霍吉,勞倫·E.班克斯,特蕾西·懷爾德,蘭尼·普拉特,本杰明·泰思,Shonica Gooden,Lazarus Simmons,Sally Stewart,托尼·托爾恩,凱文·泰勒·羅德里格斯,Hyunmin Rhee,Natasja Naarendorp,邁克爾·勞倫斯,Christopher Batyr,Christopher Cortez Adams,Mounir QuazzaniSet on a New York subway, The Dutchman centers on an encounter between a well-to-do Black man and an enchanting white woman who match wits in a sexualized game of cat and mouse that leads to a violent conclusion.
特殊囚犯
巴森,李克乃,魏淳在A市的某監獄里。當年的刑警隊長、如今的囚犯巴圖準備去見前來探望他的阿爸和養子哈日夫。激動的心情使他不能平靜…… 一年前，巴圖和戰友朝魯接受了偵破銀行被騙280萬元巨款的案件。不幸，朝魯在辦案時被歹徒殺害，巴圖悲痛萬分，暗下決心。一定要偵破此案，給朝魯報仇。 “小世界”歌舞廳老板楊滿倉是個兇狠殘暴的人，他設計殺死了與他共同騙取銀行巨款的同伙李曉東。當他得知巴圖發現了蛛絲馬跡后，便派手下的吳胖子給巴圖設置障礙，使巴圖因違紀而被調離專案組。 朝魯的妻子肖潔到墓地看望去世的丈夫，不料，為保護巴圖，被吳胖子開槍擊中身亡。新仇舊恨徹底激怒了巴圖，他開槍擊碎了舞廳的玻璃和吊燈，欲為戰友報仇。專案組的陳明帶干警及時趕到，阻止了巴圖的過激行為，巴圖被免去刑警隊長職務，停職反省。 楊滿倉認為已無危險，便又想設計殺死他的姘婦美玲。美玲出國心切，急于得到護照，答應和殺手上床。不料，被殺手在酒杯中暗下毒藥。情急之下，早已藏在屋內的巴圖出現，打翻了美玲手中的酒杯。美玲交待了楊滿倉的全部罪行。此時，吳胖子卻抓走了朝魯與肖潔的兒子哈日夫作人質。巴圖及時趕到，擊斃了吳胖子，救出了哈日夫，并滿腔怒火地殺死了正被公安干警押出舞廳的楊滿倉。陳明欲上前攔阻，但為時已晚。巴圖因此觸犯了法律，成為一名特殊的囚犯…
特種部隊:毀尸滅盡
Kevin Tanski,Robert Woodley,Chris Clark,Will Mutka,Mike Sarcinelli,Kahley Cuff,Rick Primerano,Patrick Mallette,Salvatore Sabia,Gary Sundown,Daniel James,Artimus Pyle,Ashlee Amoia,Aleksandar Ivicic,Darrin StockFive Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.
異形怪胎 2
Michele Greene,Robin Curtis,Scott Valentine一個邪惡的生育實驗創造了一代扭曲的孩子。 一個無情的女人在破壞這些突變的嬰兒之前已經做好了這件事，摧毀了這個世界！ 一個母親和她唯一的朋友在愛之間被撕毀了這個變形的人的排斥，并準備為了生存而戰，但這個寶寶不需要愛。 它被編程為不惜一切代價生存。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
芭比之蝴蝶仙子
為了安撫傷心的碧波，艾麗娜給她講了一個故事。蝴蝶仙子曼瑞莎是家中最小的女兒，和兩個姐姐以及好友薇拉在一起，曼瑞莎的日子過得自在又快樂。某日，寄給了曼瑞莎一張地圖，他告訴曼瑞莎，女王被奸人所害，而自己遭到了軟禁，能夠拯救他們的，唯有曼瑞莎一人，就這樣，在兩個姐姐的陪伴下，曼瑞莎踏上了冒險的旅途。很快，曼瑞莎就發現了毒害女王的罪魁禍首——仙子漢娜。曼瑞莎先是救出了王子，之后又得到了能夠替女王解毒的神奇花朵。就這樣，艾麗娜又一次的憑借著自己的勇氣和智慧換回了展翅鎮的安寧，而作惡多端的漢娜亦得到了應有的懲罰。