誘惑的麥克風1984
《誘惑的麥克風1984》線上看,由麥克·巴克導演,海倫·亨特,斯嘉麗·約翰遜,米等演員領銜主演,影片主要講述了[根據王爾德的戲劇《溫夫人的扇子》改編而成。艾琳夫人（HelenHunt飾）是一朵美艷的交際花，她從容地周旋在各類男人間，享受著女神的尊貴待遇，也被他們的妻子視為洪水猛獸，在真正的名媛淑女中臭名昭著。受到30年代美國經濟蕭條的影響，艾琳來到意大利尋找新機遇，她的出現照例如同投入湖面的一塊巨石，攪亂了眾人原來的平靜生活。其中便包括良家婦女梅格（ScarlettJohansson飾）和丈夫溫德米爾，梅格對丈夫的出軌憤怒不已，她決心以其人之道還治其人之身，一場關乎愛情和道德的角力賽已然展開。],誘惑的麥克風1984"
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記憶屋：我永遠不會忘記你
山田涼介,芳根京子,蓮佛美沙子,佐佐木藏之介★第22屆日本HORROR小說大賽讀者獎，令人心痛落淚的作品。 ★讓人熱淚盈眶，青春惆悵系恐怖小說。 ★書店店員支持度No.1！ ?「每一頁都不容錯過、觸動內心的情節。」 ?「書中充滿濃厚的推理元素，非常符合我的喜好。」 ?「我有預感這部作品會成為惆悵系驚悚小說的代表作，推薦給想看感動類驚悚小說的讀者。」 你有想遺忘的記憶嗎？ 失去這段記憶之后， 你，還是你嗎？ 大學生遼一愛慕罹患嚴重夜路恐懼癥的學姊杏子， 遼一耐性陪伴著她，希望能療愈杏子的恐懼癥， 然而，杏子卻將希望放在都市傳說「記憶使者」── 傳說中，記憶使者能幫人消除想遺忘的記憶。 某一天，杏子竟能自己走夜路回家， 看似治愈恐懼癥的她， 卻將遼一的事忘得一乾二凈。 開始追尋真相的遼一， 發現青梅竹馬的鄰居玩伴真希似乎也失落了一段重要的記憶； 此外，就連他自己的腦中也出現不可思議的空白斷層。 究竟「記憶使者」是不可見人的腦外科手術？ 抑或是傳說中能「吃掉」記憶的怪人？ 遼一努力追查的同時， 卻戰栗地發現記憶使者早就潛伏在他身邊，虎視眈眈……
快餐車
成龍,洪金寶,元彪,勞拉·福納,張沖,吳耀漢,岑建勛,午馬,馮淬帆,柯受良無比（洪金寶 飾）是巴塞羅那一間偵探社的打手，這天，他的偵探社接到了一單大生意：客人委托他們14天內找到一名叫歌利亞的女子和她的女兒施維亞。因為偵探社的社長偵探在外躲債，而無比又不想眼白白丟了一單生意，于是，他找來在當地經營快餐車的華人青年托馬斯（成龍 飾）與大衛（元彪 飾）一起進行調查。 通過調查，他們發現歌利亞原來是當地一名富豪伯爵的千金，伯爵已經去世，如果找不到她或者她女兒的話巨額的遺產將落入她的堂兄的口袋，而他們幕后雇主正是這位心懷叵測的堂兄！于是，一幕英雄救美的好戲上演了！
完美絕配
維多利亞·嘉絲蒂,亞當·德莫斯,Korey Williams,Samantha Tolj,Emma Kate Lawrence,Nicholas Brown,Tracie Filmer,Britt GoodwinIt follows a hard-driving LA wine-company executive who travels to an Australian sheep station to land a major client and there she ends up working as a ranch hand and sparking with a rugged local.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
梅根
艾莉森·威廉姆斯,維奧萊特·麥格勞,錢信伊,艾米·唐納德,珍娜·戴維斯,布萊恩·喬丹·阿爾瓦雷斯,珍·凡·伊普斯,斯蒂芬·加諾·蒙頓,洛麗·鄧蓋,艾米·厄舍伍德,杰克·卡西迪,邁克爾·薩克特,薩姆森·錢-伯恩,基拉·約瑟芬森,蕾妮·里昂斯,米倫·貝爾德,切爾西·普雷斯頓·克雷福德,阿洛·格林,娜塔莎·丹尼爾,嘉雅·碧絲·羅伯遜年僅八歲的小女孩凱蒂（維奧萊特·麥格勞 Violet McGraw 飾）在一次車禍中痛失雙親，此后她被安排到小姨珍瑪（艾莉森·威廉姆斯 Allison Williams 飾）的家中居住。珍瑪供職于一家大型的玩具公司，該公司旗下的智能陪伴玩具產品曾風靡一時，而今正面臨同行業競爭者的挑戰。雖然主管領導急于推出成本更低廉的新一代產品，但是珍瑪卻偷偷研發更為智能的仿生玩具。專注自己的事業的珍瑪對于擔任監護人頗感焦慮，偏巧凱蒂的一些想法給了她啟發。在此之后，珍瑪完善了自己名為梅根（M3GAN）的作品，并將其與凱蒂配對，讓梅根在與人類交往過程中學習成長。 然而，梅根的學習進化速度出乎所有人的意料……
殺死薩拉查
魯克·高斯,小弗洛林·皮爾斯齊,朱國安,史蒂文·西格爾,勞洛·查坦德,喬治·圣皮埃爾,克勞迪烏·布萊翁茨,霍華德·戴爾,喬治·雷米斯,莎萊娜·魯瓦耶,馬西莫·多布羅維奇一批精英團隊被指派去保護一個危險的毒梟，他們藏匿在一家豪華酒店內等待毒品萃取製作。不過他們很快發現他們所藏身的飯店正是毒梟的過往夥伴打算發動爆炸襲擊的目標中心，他們必須要竭盡所能阻止恐怖攻擊的發生…