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初春
李東范,高松姬,李永根,許鎬哲,許昌錫,姜恒模,金泰龍黨的十一屆三中全會精神和初春一起，來到了南道溝朝鮮族生產隊。原生產隊長姜哲宇，幾年前被李貴男誣諂入獄，如今冤案平反，他回到家鄉，再次被社員們選為隊長。姜哲宇和婦女隊長玉順、副隊長萬福，帶領群眾積極發展農業生產，大搞副業生產，使南道溝開始呈現興旺的景象。早在動亂時期上臺的李貴男推行"四人幫"的極左路線，造成南道溝十分貧窮；他還奸污了姜哲宇的妻子吉順，致使她含恨而死。吉順的幼女明愛被孀居的玉順收養，待如親女。然而，下臺的李貴男并不甘心，他找到公社樸書記，對姜哲宇大搞多種經營發展生產的做法進行誹謗。由于樸書記對黨的三中全會精神理解不深，就批評姜哲宇頭腦發熱，要等具體文件，不許亂來。姜哲宇認為自己執行的是三中全會的正確方針，仍堅持自己的做法。當姜哲宇為解決春荒，經上級有關部門批準間伐生產隊的松林時，在李貴男煽動下，樸書記粗暴地進行干涉，并擅自讓姜哲宇到公社參加學習班，指定李貴男代理生產隊長。夜晚，李貴男悄悄來到玉順家里，企圖奸污玉順，遭玉順責打后狼狽而逃，并偷走了玉順的披肩。次日早晨，李貴男的老婆敏玉舉著玉順的披肩，當眾大吵大鬧，誣栽玉順勾引她的男人。玉順受欺侮后，精神上受到巨大的打擊。她穿上結婚服裝到吉順的墳前哭訴，也準備走吉順的路。當她想起可愛的家鄉和親人，想起吉順被害的情景，又鼓起了生活的勇氣，決心與李貴男斗爭到底。于是，她連夜趕到縣里，揭發了李貴男的罪行。第二天，玉順和樸書記一起回到南道溝。樸書記真誠地向社員們道歉，檢查了自己的錯誤，還宣布了縣委責成他調查李貴男犯罪案件的決定，李貴男原形畢露，受到了法律制裁。在人們的歡笑聲中，哲宇和玉順、會計哲洙和赤腳醫生今丹，又是結成美滿姻緣。在三中全會精神的指引下，南道溝變富了。人們在為五位老人喜慶"同甲壽"的鑼鼓聲中，縱情歡歌。
十月建造的房屋
Brandy Schaefer,Bobby Roe,Zack AndrewsBeneath the fake blood and cheap masks of countless haunted house attractions across the country, there are whispers of truly terrifying alternatives. Looking to find an authentic, blood-curdling good fright for Halloween, five friends set off on a road trip in an RV to track down these underground Haunts. Just when their search seems to reach a dead end, strange and disturbing things start happening and it becomes clear that the Haunt has come to them...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超時空傳輸
羅比·阿梅爾,瑞切爾·泰勒,肖恩·本森,亞當·布切,坦圖·卡丁諾,Gray Powell,Jacob Neayem,杰米斯皮爾切克未來世界能源枯竭，食物短缺。雷恩醒來，三名蒙面人將他和女友劫持，他奮力掙脫卻從樓梯摔下。雷恩再次醒來，發現自己經歷著同樣的一天。他告訴女友漢娜，卻發現漢娜和蒙面人是一伙的。雷恩才發現，他們都陷入了自己制造的ARQ能源機引發的時間循環中，而雷恩曾經效力過的Torus公司正要奪走這臺機器。為了阻止Torus公司，雷恩和漢娜再次進入無限的循環...
莫德羅監獄1977
米蓋爾·赫爾南,哈維爾·古鐵雷斯,赫蘇斯·卡羅薩,Catalina Sopelana,費爾南多·特赫羅,哈維·薩茲,Víctor Castilla,Alfonso Lara,I?igo de la Iglesia,伊尼戈·阿蘭布魯,Javier Lago,哈維爾·貝爾特蘭,Aimar Vega,Julián Valcárcel,Nacho Marraco1976年，一名會計師因莫須有的罪名，將面臨不公正的刑事判罰，他決心一斗到底。西班牙導演阿爾韋托·羅德里格斯（《千面人》）闊別6年重回大銀幕的新作，根據真實事件創作，于現已關閉的巴塞羅那莫德羅監獄內實景拍攝，回溯1976年弗朗哥去世后的西班牙民主過渡期。影片巧用突然驚嚇營造驚悚氣氛，反映獄警對犯人的多種慘無人道的摧殘；藉由民憤輪番上演花式越獄，點燃普通人的求生之火，強烈抨擊國家法律體系的不公。榮獲2023年西班牙戈雅獎16項提名，最終攬獲最佳美術指導等5項技術大獎。
明明不是我！
阿部寬影片改編自淺倉秋成創作的同名小說，講述了一個在社交媒體上，毫無根據的信息被視為“真相”，并逐漸演變成重大事件的現代冤案恐怖故事。阿部寬飾演的主角是大型住宅建材公司的營業部長山縣泰介，有一天突然在社交媒體上被指認為“殺人事件的兇手”，個人信息被曝光。雖然完全無辜，卻被社會追捕、陷入“網絡風暴”之中，不得不逃亡。