82年生的樸雅拉

1956年匈牙利革命后，一個男孩從小被母親灌輸了關于已故父親的理想化故事，卻突然遇到一個粗野的男人，對方聲稱自己是他的親生父親。

　　在被診斷出患有絕癥后，克萊爾決定進行最后一次旅行，前往瑞士。在那里，她可以在一家協助自殺協會的幫助下決定如何以及何時結束自己的生命。陪伴她超過四十年的查洛決定與她一同踏上這段單程之旅。與此同時，摩根娜在父母之間以及他們即將離開的所有事物之間成為了一個不情愿的調解人，同時也在努力尋找自己在這個故事中的位置。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　科學家們在一個小鎮的供水系統中下毒，把居民變成殺人狂魔，他們互相殘殺，任何人都能通過。