欲望中的女人
《欲望中的女人》線上看,由Gianfranco,Angelucci導(dǎo)演,Domiziano,Arcan等演員領(lǐng)銜主演,影片主要講述了女作家把槍指向編輯，強(qiáng)行讓他讀本人的官能小說(shuō)，小說(shuō)的內(nèi)容是：在名為;愿望之宿的賓館里，來(lái)了一位名叫阿妮的女郎，在那里飄蕩著另一個(gè)世界里讓人癡迷的y-蕩和頹喪的氣息。為緩解旅途疲倦正在洗澡的阿妮，留意到本人的衣服被藏起來(lái)，全裸著在賓館里手足無(wú)措的她看到了紈绔子弟的舞蹈教員和拿著鞭子的女教員等住客，還有肉感十足的效勞員小姐們的快樂的游戲。很快阿妮也被這種肉欲的世界誘惑吸收了，并深陷其中不能自拔 ,欲望中的女人"
即刻觀影
劇情賞析
編輯推薦
走進(jìn)酒吧的女孩
吉爾·貝羅斯,山德·貝克利,阿麗克西斯·布萊德爾,埃曼紐爾·施萊琪,羅莎里奧·道森,丹尼·德維托,卡拉·古奇諾,喬什·哈奈特,扎克瑞·昆圖,米歇爾·雷恩,勞倫·李·史密斯A dentist teams up with a feisty would-be assassin to put the final touches on the plan to kill his wife. Once he makes a play for the assassin's payment, he unknowingly sets off a chain of events that fuels a cross-town journey through the many lounges, bars, strip clubs and the occasional nudist ping pong club scattered across Los Angeles. Along the way, we are introduced to a series of idiosyncratic characters, from gangsters to exotic dancers, from ex-cons to cops, with the odd hatcheck girl and bartender thrown in for good measure.
頭師父一體3
李成宰,孫昌敏,徐智慧,金成民,樸相勉黑社會(huì)組織“永洞派”為了全球化，準(zhǔn)備學(xué)習(xí)大企業(yè)的經(jīng)營(yíng)管理策略。老大（孫昌珉 飾）派二把手奎斗植（李成宰 飾）進(jìn)入當(dāng)?shù)刈畲蟮谋ｋU(xiǎn)公司做業(yè)務(wù)員，積累經(jīng)驗(yàn)。原來(lái)用拳頭說(shuō)話的斗植，開始了朝九晚五的職場(chǎng)生活，從呼風(fēng)喚雨的“大人物”，突然變成聽命上司的小職員，繁瑣的工作和嚴(yán)格的銷售指標(biāo)讓他苦不堪言，幸好有同時(shí)進(jìn)入公司的韓秀貞（徐智慧）的鼓勵(lì)，他才不至于焦頭爛額。 在大頭（樸相勉 飾）和尚頭（金成民 飾）的幫助下，斗植的銷售業(yè)績(jī)上升到了第一位，被直接提拔到了企劃部。但是，他的成功也受到了上司嫉賢妒能的樸部長(zhǎng)的嫉妒和打壓，樸部長(zhǎng)甚至請(qǐng)來(lái)“永洞派”的死對(duì)頭對(duì)付斗植；而且，斗植下意識(shí)的異常舉動(dòng)引起了韓秀貞的懷疑，二人剛剛萌芽的情愫，也即將告吹。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
噱頭大王
比利·鮑伯·松頓,喬恩·海德,杰茜達(dá)·芭瑞特用窩囊廢來(lái)形容羅杰（瓊?海德 飾）一點(diǎn)不為過(guò)。生性懦弱的他，面對(duì)外表兇狠的人時(shí)，大氣都不敢出一口。想請(qǐng)傾慕的鄰家女孩（杰辛達(dá)?巴萊特 飾）出去吃飯，竟然因緊張而昏倒?？偸窃陉P(guān)鍵時(shí)刻莫名失敗的他，決定改變自己的性格。做一個(gè)真正的男子漢。 經(jīng)朋友介紹，羅杰來(lái)到一所秘密的，號(hào)稱“懦夫救星”的學(xué)校，班主任P博士（鮑勃?松頓 飾）是一個(gè)強(qiáng)悍的老師。他的教學(xué)方法極端怪異，卻收效甚佳。很快，羅杰找回了自信，與女孩的關(guān)系也有了進(jìn)展。然而，羅杰沒有想到，他與P博士竟愛上了同一個(gè)人。一場(chǎng)師生的競(jìng)爭(zhēng)，一場(chǎng)荒誕的鬧劇，正在上演。
武曲
綾野剛,村上虹郎,前田敦子,片岡禮子,神野三鈴,康巢恩,風(fēng)吹淳,小林薰,柄本明從小跟從父親學(xué)習(xí)劍道的矢田部，在一次訓(xùn)練過(guò)程中致父親重傷不治，從此意志消沉，沉迷酒色。極具天賦的高中生羽田機(jī)緣巧合跟隨僧侶劍道大師光邑習(xí)武，并受其所托將一封信轉(zhuǎn)交給矢田部。矢田部借機(jī)大鬧劍道部，包括羽田在內(nèi)的學(xué)員集體潰敗。矢田部無(wú)法面對(duì)已變成植物人的父親，整日沉溺在童年陰影和錯(cuò)殺父親的愧疚中。一個(gè)雷雨交加的夜里，羽田在矢田部的必經(jīng)之路上向他發(fā)起挑戰(zhàn)，并坦言自己曾經(jīng)因?yàn)槟缢粝滦睦黻幱埃Ｍ芎蛢?nèi)心同樣痛苦的前輩一較高下，矢田部恍惚中重傷羽田。矢田部的父親病逝，葬禮上矢田部?jī)x態(tài)盡失，在光邑大師的安撫下，讀了父親寫給大師的一封信，其中聲明自己在喪妻之后一蹶不振，和兒子之間已生罅隙，自己一心求死，想命喪兒子劍下，但希望光邑培養(yǎng)兒子成材。重整旗鼓的矢田部終于將要迎來(lái)和羽田一場(chǎng)正式的比賽?！ ∮捌木幾越娲ㄙp作家藤澤周同名小說(shuō)。
人艱不拆
寶拉·柯特萊西,雷歐·波瓦,科拉多·福耳圖那,恩尼奧·凡塔斯蒂基尼,盧妮塔·薩維諾,塞薩爾·博奇,馬可·博奇,斯特凡妮婭·羅卡一個(gè)是才華洋溢的逗比女建筑師，一個(gè)是魅力四射的餐廳暖男老板。她喜歡男人，而他也是，女的近來(lái)人生坎坷 命途多舛，男的離婚出柜 不敢把真相告訴孩子，女的狗血的喜歡上男的 男的說(shuō)我們是BFF...