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好孕上錯門
Mira Bartuschek,Julia Becker,佩嘉·費多尼,貝蒂娜·齊默爾曼,克里斯托弗·M·歐赫特,Kai Schumann,Lara Mandoki,Marc Ben Puch,Arnel Taci,約書亞·格羅斯,Leonard Rosik,Vinzenz Wagner四對夫妻面臨懷孕期的酸甜苦辣。生殖醫學診所弄錯了兩對夫妻的受孕過程，40多歲的診所負責人夫婦意外發現他們要當爸媽，Liane想要孩子，但她的伴侶卻不想定下來。
然后怎樣
佐伊·利斯特·瓊斯,卡莉·史派妮,惠特妮·卡明,陶尼·紐薩姆,菲恩·伍法德,尼克·克羅爾,羅根·馬歇爾-格林,鮑比·李,弗萊德·阿米森,格倫·豪爾頓,布萊德利·惠特福德,Ayo Edebiri,莎倫·凡·艾騰,奧利維亞·王爾德,保羅·當斯On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way.
錯誤指控
萊斯利·尼爾森,理查德·克里納,凱莉·勒布洛克,美琳達·麥格勞,麥克爾·約克,桑德拉·伯恩哈德,艾倫·坡爾,本杰明·拉特納,杰拉德·普倫科特,鄧肯·弗雷澤,John Walsh,Chick Hearn,瑪麗·布萊克,阿萊克斯·迪亞坤,阿德里安·多瓦爾,埃莉·哈維,Charles Payne,帕特·普羅夫特,薇娜·蘇德,比爾·塔爾林,Shari Lewis一次演奏會上，小提琴家瑞安（萊斯利?尼爾森 Leslie Nielsen 飾）邂逅了美艷婦人勞倫（凱麗?勒布克 Kelly LeBrock 飾），勞倫對他大拋媚眼，嚇得瑞安不知所措。聯合國秘書長羅伯特將到哥倫比亞作反恐演講，勞倫的丈夫希賓負責安排一切。這天瑞安收到了勞倫的邀請，并注明如果他不前來她將自殺。揣揣不安的瑞安如約來到了勞倫的別墅，卻發現希賓早已倒地身亡。突然，一名獨眼獨臂獨腿的男人出現將瑞安擊暈了?！ ‘斎鸢残褋砗?，他已被警察抓了起來，荒謬的是，瑞安謀殺希賓的罪名成立了。盡管他一再分辯，但他還是被押往監獄。途中囚車意外翻下了山崖，大難不死的瑞安開始了亡命天涯，他一方面要逃避追捕，一方面要設法找證據還自己一個清白！
祖魯
奧蘭多·布魯姆,福里斯特·惠特克阿里（福里斯特·惠特克 Forest Whitaker 飾）和母親是從曾經慘絕人寰的種族屠殺中幸免于難的幸存者，雖然如今的他已然出人頭地成為了開普敦警局重案組的負責人，但兒時充滿了血腥和恐懼的回憶依然沉淀在他的內心之中，陰影揮之不去。 布萊恩（奧蘭多·布魯姆 Orlando Bloom 飾）是阿里的下屬，他的家族成員曾經是種族隔離活動中的激進分子，不過這并沒能夠影響到他和阿里之間的信任和友誼。一連串兇殺案的發生和一種新型毒品的出現將城市推到了風口浪尖，直到這時，肩負著巨大壓力的阿里才發現，那些他以為已經成為過去的事情，其實并沒有真正的過去，也永遠都不會過去。
嗨，媽媽！
羅伯特·德尼羅,查爾斯·德恩,詹妮弗·紹特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment